cubedice
Joined 18 years ago
Joined 18 years ago
Funny, since I wrote my blog in clojure/compojure and found it easy going compared to Rails (which, to be fair, I had attempted to learn before having any real programming experience). That was my first experience with "a lisp", and it went well. Unfortunately, I think self-imposed cynicism about lisp is a big part of what keeps it from going mainstream.
EDIT: however, I respect that experiencing lisp not going mainstream for years would kill pretty much anyone's optimism :)
OTOH, he definitely appears to have put a lot of work into this, and I would like to test it out, if I can figure out how.
Their names are pretty catchy; I'll admit I want to use 'gradient boosting' and 'Lasso and elastic-net regularized generalized linear models'.
For me that means using music that is ambient enough without verging on elevator muzak style irritation. I ended up with instrumental hip-hop (dj shadow, etc).
After browsing the source, it seems they are using Java2D primitives, specifically BufferedImage to do textures and shaders. I wonder if this project could use JOGL bindings...
EDIT: btw, I meant to say that this looks pretty badass
I'd go for a system that enforced a payment based upon a baseline # of listens on pandora, last.fm or youtube.
You're also right that sometimes they deserve to be paid. It is my intuition that the free market works against supporting the largest number of musicians. It may work to reward the best, but to me, that doesn't foster innovation (since musicians rarely look at the payoff in terms of money--probably fame). Certain acts are always going to be very famous, but there probably is a lot of room for diversity.
The optimal strategy for creativity/diversity would be to provide a (minimal) amount of reimbursement for attempting to create music. This would not only bring music creation back to the masses (where it probably should be) but could also provide an incentive for creative people to put work out and also buy dinner.
Now, the internet has magnified this even further. An incredibly narrow band of artists are currently being compensated in any way (live performance, merch, cds), and this trend appears to be continuing. In general, the life of a performing musician pretty much sucks. Take a blog post by David Byrne I found on here awhile ago http://journal.davidbyrne.com/2009/08/080809-edinburgh-so-ho... . He's working pretty damn hard, and he's famous!
I'm not saying that file sharing is inherently wrong, I'm just saying deep down, we know there's a system that will rise out of this that will undoubtedly be regulated. I'd rather be having that discussion, than saying 'oh, I wouldn't have paid for that'