zmitri
Joined 16 years ago
Joined 16 years ago
I take generative art semi-seriously and have some cube like sketches https://www.instagram.com/p/B_Ix1yOH_2S/ and other simple line based sketches https://www.instagram.com/p/B9VsDrgHBQE/ but I think they are aesthetically nice either way and treat them as art.
For some context here is my "artist statement" as a generative artist:
From the outside, art is regarded as highbrow, intellectual, and “human”. Automation, however, is often perceived as rote, boring, and “robotic” by those who are non-technical.
As an engineer by trade, I see the act of automation as a much more creative process than the public gives it credit for.
In my artistic practice I try to bridge that gap by using software to automate the generation of unique art pieces in less than a fraction of a second. My hope is to elicit the same kind of emotions and reactions that viewers feel when viewing art that has been “generated” by hand, and help them consider automation as an art form and an act of creativity.
Whether acting as an artist, or engineer, I like to think of automation as my artistic medium.
I don't think there is one real error here as you put it, but it's been made public he was warned about him before and people he worked with would refuse to go to his properties when invited and told him why (citation: https://medium.com/@EthanZ/on-me-and-the-media-lab-715bfc707...).
Many companies do take up to 30 minutes especially if they are compiling a comprehensive portfolio (if the dispute is for thousands of dollars) and are outsourcing the representment.
In my experience consumers enjoy generative art, and are happy to buy generative work so long as its in a medium they are used to - such a as a print or plot - and are not interested in moving/digital screens.
Instead of picking a render and placing it for sale, show the buyers the software, show them the parameters and give them an option between a few renders to choose from. It makes it way more personal. People and popular culture are also much more tech savvy now and appreciative of elements of digital/internet culture.
This is just my opinion, but I believe many generative artists seem to put the algorithmic focus ahead of the aesthetic. From my experience if you treat the aesthetic as the primary objective and the technology as a tool it resonates better. Jared Tarbell and Manoloide both seem to do this, but have very different styles, and are by far my favorites in the space.
How does it work at your size now?
Some of the points an FB employee said about the situation around a week ago: "Well the ISPs are worse" "Imagine if it was them instead of us, we do a better job" "Net Neutrality is the real problem".
They think of everything as a PR problem unfortunately, and would rather go this route than dealing with the problems they have.
Although the media is currently focusing on Cambridge Analytica and the simple targeting they offer to ad buyers using likes/interests, the reality is that advanced buyers can buy/collect data elsewhere, chop and segment it as they please, upload names and email addresses, and have Facebook automatically match the data that they have with fairly high accuracy to users on Facebook.
This removes any of Facebook's "liability" in terms of targeting using likes and interests in their system, but still allows anyone with the data and know how to do as they please and still reach all the users they want using Facebook's tools.
Sure, Facebook will take a hit with this, but ultimately Facebook can and will get away with the current narrative that this was something that only happened years ago and they are better now.
To me, the current toolsets and targeting using your own uploaded data is what is even scarier. Facebook will just shirk all responsibility this way but still allow for the same thing to happen in the future.