tsm
Joined 15 years ago
Joined 15 years ago
We've had an absolutely-zero-screens policy for our almost-3-year-old (and will have the same for his baby sister) and I think it's made things much easier than if he had limited access. It's simply Not An Option, so we as parents and he as a child manage to find other interesting things to do. Currently he's really into listening to music on a 35-year-old Fisher Price cassette player, scooting a toy garbage truck around, and thumbing through books.
Plane rides are difficult (and he's had many) but so far we have gotten through them with patience, lots of snacks, and a new toy or two.
Yes.
One of my surprises when moving from the US to the UK were that I couldn't mail a letter from my house (and also how expensive the postage is!)
I don't have Studies to back this up, but anecdotally:
* Playing fine violins takes a lot of practice with the specific instrument to begin to unlock its potential. I was scratching the surface after a couple months; people with longer-term loans say it takes years.
* Strads in particular are surprisingly hard to make sound good at first. I'd say there was a good two weeks where I sounded better on my $2500 Chinese-made violin than I did on the multi-million dollar Strad. (del Gesus sound great out of the box. This is widely agreed upon but I don't know why it is)
* In terms of pure craftsmanship there are many contemporary makers who are working as well as Strad and del Gesu, and I don't place much stock in them having access to uniquely good wood or magic varnish or anything like that.
* However, for poorly-understood reasons the act of playing a violin "opens up" the sound and also gives you access to more and more tone colors. A 300-year-old violin that's been played a lot will therefore have a much bigger tonal palette than a contemporary violin, even if any individual tone color isn't strictly better than the tone of a contemporary violin.
* The corollary is that in the year 2300 I believe top-end contemporary instruments will be as good as Strads are now.
* If you just thought "what if we simulate the vibrations of playing on new instruments to expedite their aging", you're not the first! Some luthiers hook new instruments up to a specialized amplifier and effectively play music through the violin for a couple weeks before selling it. A lot of people claim this helps a lot, but I don't have first-hand experience of it.
HWIAs are convenient, but they do confuse the issue.
If I release a new library tomorrow, do I not need to write docs for it?
Would you please expand on this?
Yes, the companies involved should take some responsibility for terrible security practice (though I'm sure they wish this had never happened!) but victim-blaming doesn't justify crime.
Another neat thing was that there used to be a full-time SDET who spent a lot of time writing Cypress reproductions for known bugs. When you picked up the bug, you could un-skip the test that was right there waiting for you.
All that said, of course it's far from perfect!
0: https://github.com/metabase/metabase/ Backend unit tests are in test/, Frontend unit tests are in frontend/test, end-to-end tests (Cypress) are in e2e.
tim @ <my domain name above>
[ my public key: https://keybase.io/tsmacdonald; my proof: https://keybase.io/tsmacdonald/sigs/hqKu9n7JqNG8ufxOca2fk-grq-Ooi_xum_Jj57tSgFg ]
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