I'm a semi-professional violinist who got to borrow a Strad for a couple months and whose long-term teacher has the lifetime loan of a del Gesu (and has had access to a Strad but prefers the del Gesu!)
I don't have Studies to back this up, but anecdotally:
* Playing fine violins takes a lot of practice with the specific instrument to begin to unlock its potential. I was scratching the surface after a couple months; people with longer-term loans say it takes years.
* Strads in particular are surprisingly hard to make sound good at first. I'd say there was a good two weeks where I sounded better on my $2500 Chinese-made violin than I did on the multi-million dollar Strad. (del Gesus sound great out of the box. This is widely agreed upon but I don't know why it is)
* In terms of pure craftsmanship there are many contemporary makers who are working as well as Strad and del Gesu, and I don't place much stock in them having access to uniquely good wood or magic varnish or anything like that.
* However, for poorly-understood reasons the act of playing a violin "opens up" the sound and also gives you access to more and more tone colors. A 300-year-old violin that's been played a lot will therefore have a much bigger tonal palette than a contemporary violin, even if any individual tone color isn't strictly better than the tone of a contemporary violin.
* The corollary is that in the year 2300 I believe top-end contemporary instruments will be as good as Strads are now.
* If you just thought "what if we simulate the vibrations of playing on new instruments to expedite their aging", you're not the first! Some luthiers hook new instruments up to a specialized amplifier and effectively play music through the violin for a couple weeks before selling it. A lot of people claim this helps a lot, but I don't have first-hand experience of it.
I don't have Studies to back this up, but anecdotally:
* Playing fine violins takes a lot of practice with the specific instrument to begin to unlock its potential. I was scratching the surface after a couple months; people with longer-term loans say it takes years.
* Strads in particular are surprisingly hard to make sound good at first. I'd say there was a good two weeks where I sounded better on my $2500 Chinese-made violin than I did on the multi-million dollar Strad. (del Gesus sound great out of the box. This is widely agreed upon but I don't know why it is)
* In terms of pure craftsmanship there are many contemporary makers who are working as well as Strad and del Gesu, and I don't place much stock in them having access to uniquely good wood or magic varnish or anything like that.
* However, for poorly-understood reasons the act of playing a violin "opens up" the sound and also gives you access to more and more tone colors. A 300-year-old violin that's been played a lot will therefore have a much bigger tonal palette than a contemporary violin, even if any individual tone color isn't strictly better than the tone of a contemporary violin.
* The corollary is that in the year 2300 I believe top-end contemporary instruments will be as good as Strads are now.
* If you just thought "what if we simulate the vibrations of playing on new instruments to expedite their aging", you're not the first! Some luthiers hook new instruments up to a specialized amplifier and effectively play music through the violin for a couple weeks before selling it. A lot of people claim this helps a lot, but I don't have first-hand experience of it.