suncanon
Joined 12 years ago
Joined 12 years ago
Art is far from dead and postmodernism was certainly not the end of it. If the author is in a contemporary art gallery and thinks all modern artworks look the same, perhaps it is simply not very good modern art that he or she is looking at...
We are bombarded with audiovisual media now. A painting, a song, or even a "shocking" performances is much less valuable in a supply/demand sense than. (500 years ago, something as beautiful and pure as a painting was very rare!)
But new forms of art have replaced them. Relational art ( https://en.wikipedia.org/wiki/Relational_art ) is a popular one. Relational artworks use humans, not media, as material. A relational artist might say that what is rare and valuable today is not visual media, but human connectedness and meaningful experience. A relational artwork might try to help a community solve a social issue, or create social connections that would not otherwise exist.
These new forms of art are not evaluated on how shocking they are. They are evaluated on how they affect the world.
It does seem like there is a general movement away from drilling happening, though, which is good!
This approach looks more promising to me:
http://www.theguardian.com/society/2014/jun/16/fillings-dent...
It seems like this would be essential for writing research papers according to a conference's template. If so, I would definitely use....
If you find running / weightlifting torturous (like I do), this is a really fun way to add activity to your life. After a game, you will suddenly realize that you just ran for 1-2 hours without even thinking about it.
It is not only a powerful deconstruction of the creative process, but it details the history of relationships between gift/craft and acquisition/capital. A valuable read for anyone who has ever wanted to put more into their projects than what is asked or required.
An example that sort of fits this (pardon that I don't know the name off the top of my head): - One recent artist gained fame as a sculptor in the modernist tradition, using found materials, junk, etc. His art started to garner a lot of money. So, he began to go into abandoned buildings in poor neighborhoods, cut out part of the wall or the floor, sell it as his artwork -- for hundreds of thousands of dollars at the Venice Biennale & such -- and then use that money to restore and revitalize the original abandoned building that he took the material from. He turns these buildings into community centers for the neighborhood. It's quite amazing. So really the ultimate artwork is the community center that is created and the benefit to the community that it creates, the human relationships it fosters, etc.
In other examples, artists simply create events through which people can engage with each other in some structured way. Famously, Rirkrit Tiravanija served a meal in an art gallery -- it was simply a public space to interact and be human. (There are other ways to read this artwork too... it is also a very real exhibition of culture... sort of like showing a found object but the found object is a dinner party).
There is a wide array of practices here...
But there are a few clear trends. In these new works, there is often no commodity to be bought and sold. Art rests not in images or sounds (post-internet, images and sound recordings are no longer rare), but instead the artists try to address real needs of people and communities. So, whereas the author of this essay describes modern art as purely abstract, subjective, meaningless, and designed purely for the ego of the artist, these new works are selfless, generous, and designed to have a direct impact on the world. In that sense, this movement draws from histories outside of art, such as civil rights, non-profits, grass-roots activism, etc.
Hope that is a good enough primer! In my opinion this shift (from tangible art to relational art) is as significant as the early 20th century shift from representational art to abstract art. It is a sea change, and we're right in the middle of it.