slazaro

I would consider his version "not ideal code" in the sense that 99% of people reading it would go "huhh?" and be confused, they'd think that it has a typo because it isn't using the for-structure in the classic way, etc.

Code is not only for machines to read, it's for humans to read, and this one works but it doesn't communicate effectively to humans. It's great if you work alone, or if you work with a team that uses this type of loop and is used to it. But otherwise, I don't think it's ideal at all.

> Our documentation should have explained all of this, including how to turn it off. We'll get that updated.

Do you mean "how to turn it ON"? It should be off by default, just look at the replies you're getting by people that are seriously considering not using HA because of this. Is it worth it? It doesn't matter if it's secure by your standards, what matters is that it gives people the security "ick" and will then second-guess every other security decision in the rest of the software. That matters.

They always seemed to me like solutions to a nonexistent problem. They make the code less readable, but ligatures exist and they seemed like a cool tech thing to implement, and they might look cool in screenshots. But in practice, in my opinion, they're worse than just having the normal characters. But I guess it's a matter of opinion, no harm in other people using them.

I love the japanese girl screaming in the loony gang radio with the drum and bass!

As I was starting to read the article, I was thinking (correctly) that this was going to be fruitless internet searches until they manage to contact a human and that was what was going to solve it, because there is so much obscure information stored in people's memories that was never put to text and shared online.

I have a similar 20+ years story of a house session that I downloaded with AudioGalaxy at around 2002, which I lost but I vividly remembered some songs. I remembered the name of the DJ and the club, and I would randomly search around to no avail. Same type of dead ends, some forum posts listing track names but not linking to audio, etc.

15 years later I happened to find a CD I had burned with the session, buried among old CDs in old boxes. The feeling of being able to listen to something that you clearly remember but haven't heard in more than a decade, it's indescribable.

Years later, a couple of years ago, I googled his name again out of curiosity and I found an instagram profile which I'm 99% sure is the guy in question: same rare name, from the small city where the club where the session was recorded is, his age also fits the timeline, etc.

I haven't contacted him though. On the one hand it could be a nice surprise for him to know that somebody enjoyed something obscure he made like 25 years ago, but on the other hand it's kinda weird that I remember his name from one super old mp3 and I stalked him over decades to finally get to his instagram profile...

I'd assume legality. You can't just copy stuff you find in other services, especially in OSM where the data submitted has to conform to their license.

Well, your child is spending 0€, getting a bit of fun with a game, and getting a reward afterwards, which is randomized (more dopamine). That seems like an amazing trade.

As an adult, if I went and they said it cost 0€, I think I'd play too.

I've always assumed his inclusion in the story was just to make the story more interesting. I wonder if anybody ever asked him about it at all.

After researching a bit, the story actually is from 1977, I found a PDF from the magazine and it does mention him, even though he wasn't famous except for those tech enthusiast circles. Maybe the story is embellished a bit, but at least it wasn't made up in internet times.

I never did any digital painting in Krita, I use it only for basic image editing and it can do all I wanted to do with Paint.net. Should I care that an app can do more than what I use it for, if it stays out of the way?

Krita is what I use. Pinta just had a lot of broken UX and it didn't behave the way I expected. Krita is closer to Photoshop, but having extra features is not a problem. I'm pretty sure anything you'd do in paint.net you can do in Krita.

I've seen it a lot in Spain as well. I guess it's a combination of just being the reverse of OK, and also "KO" meaning "knocked out" just feels like the opposite of OK.

I agree that most companies are awful at trying to get you to stay when you tell them to leave, but I'd be disappointed if a company didn't care at all to know why I left. If I'm leaving I already have a bad feeling about them, and I would have a worse image of them if they didn't care why.

Ideally they wouldn't pressure at all for me to stay and cancellation would be a quick process, and I would be happy to tell them why I left. Either to vent, or to at least get the (most likely misguided) feeling that they might do something about it. But if there's no asking as part of their process, I'd definitely think worse of them.