phony-account
Joined 2 years ago
Joined 2 years ago
Most of our publishing cycle is automated except for the inevitable last stretch in AppStoreConnect where we need to submit releases manually.
Management wants us to reduce the diff between releases so we’re considering two releases per week instead. This will mean an increase in ‘submission anxiety’ balanced by a reduction in the scale of changes made (so rollbacks should be easier).
One member of our team came from a very prominent game platform that made new releases every weekday. So a two week cycle is nothing to worry about.
Do you have evidence or a citation for this? Or is it just the sort of statement that’s made in the pretty certain expectation of upvotes on HN?
No-one has forced you to upgrade. I’m writing this on iOS 18.
How can we define what this even means? I don’t think any of the naive initial aims were ever attainable - and the entire impulsive and irresponsible adventure has spiraled down into what looks like impatient and petty spite: smashing the toys because the big baby didn’t get the present he wanted.
Spotify are currently making a big deal about not writing any code - I attended a webinar this week where one of the slides proudly trumpeted this fact:
“ 0 lines of code
Spotify's best engineers have not written a line of code since December.”
I can’t permanently turn off shorts - and this I find personally insulting. It really feels like encountering a drug dealer outside my house every time I come home, always expecting me to cave and try some of that good smack.
But apart from ignoring me when I say I’m not interested in whole genres of ‘fun’ videos, it also resets the streaming quality to the lowest setting every single day and then hides the quality setting deep inside a menu with several fiddly clicks.
And this isn’t for my benefit of course: I can easily stream 4K video to my screens. It’s to shave a few cents off each stream and max the gouging.
This just isn’t true, at all - electricity is regularly out for hundreds or thousands of people in Sweden because of snow. This year was especially bad, where thousands were without any electricity for up to 10 or 12 days, but every year brings the same problems. Just google “elavbrott snö” and you’ll find many current examples - just as one instance:
https://www.horisontmagasin.se/2026/01/06/nya-elavbrott-nu-p...
Why even put it in terms of ‘nostalgia’? When someone takes up watercolor painting, do you also dismiss this as ‘nostalgia’? Why is film photography as a hobby any less interesting or legitimate on its own merits than making pottery the way it was made 10.000 years ago?
I often find it’s an older (even elderly) crowd that dismisses film-photography in this way. They maybe shot film when they were younger, discovered digital (which they always describe as being “objectively superior” - as though two totally different media can be compared this way), and then dismiss film users as somehow deluded ‘hipsters’ or as people merely indulging in nostalgia.
In my case, as someone who took up film photography 15 years ago, and shoot it alongside digital, I find film not only a more satisfying and thoughtful process, but also a superior artistic artifact: I prefer film’s color, the subtle ways that film handles highlight falloff, and even the ‘accidents’ that happen when chemical and light fuse to create an image.
Incidentally there are more and more ways to enjoy the entire process without a darkroom nowadays: a changing bag and a unit like the AGO film processor from Vintage Visual [0] make it simple to just take out and pack away all that’s needed to go from photograph to scan and print without a lot of space or mass of hassle.
[0] https://vintagevisual.eu/products/ago-film-processor