jweissman

Planes always sucked of course but corporate wetwork squads take it over the line, I think

Longtime user too and overall it is great. The local first speed is hard to beat. The open core model is interesting too. But yes the writing experience is sometimes a bit messy, copying is sometimes awkward. There’s an annoying bug in the iOS client where you have to reopen the app to play a different audio file, which is not awful but a bit grating.

this feels like a serious work of art

This is amazing! This is a fantastic concept generator. The verisimilitude with specific composers and techniques is more than a little uncanny. A few thoughts after exploring today…

- My strongest suggestion is finding some strategy for smoothing over the sometimes harsh-sounding edge of the sample window - Perhaps it could be filling in/passing over segments of what is sounded to user as a larger loop? Both giving it a larger window to articulate things but maybe also showcasing the interpolation more clearly… - Tone control may seem challenging but I do wonder if you couldn’t “tune” the output of the model as a whole somehow (given the spectrogram format it could be a translation/scale knob potentially?)

absolutely love this project!! will definitely use this as compositional aid...

a few thoughts:

- it would be nice to go "the other direction" here too -- from a set of chords, tell me the possible ambient key environments

- the only thing ux wise i can pick at is the squiggly underline

- support for modulation would be amazing (a basic query there might be just "find any/all common chords between two selected key environments")

I’ve built a number of toy language projects with Ohm and it’s really wonderful. Just a joy to use the visual tooling also. All around really beautiful machinery