Recent submissions

Comment · 1 year ago
Seeing Roger Waters performing the entirety of The Wall in 2013 was nothing short of life-changing for me
Comment · 1 year ago
Comment · 1 year ago
>And her given first name [...] is Lantian, meaning blue sky in Mandarin

I love this

Comment · 1 year ago
Maybe they're talking about the Tolkien references (just kidding)
Comment · 2 years ago
Comment · 2 years ago
Comment · 2 years ago
The gold standard of Icelanders Sagas is: https://sagas.is/vara.php (love for the little old website). It's complete, as it contains all the sagas and tales.

This is a good selection from above: https://www.penguin.co.uk/books/53454/the-sagas-of-the-icela... (notably missing: Njal's Saga, but that's also available separately).

There are more sagas, though. Just not of the Icelanders.

For example the saga of the Volsungs.

If you are interested in general norse mythology then yes, Gaiman's book is really nice. The Prose Edda and the Poetic Edda are primary sources and not a difficult read.

Everything I mentioned (except Gaiman's) is published by Penguin and is a good translation.

Comment · 2 years ago
Every time I read some Alan Moore interview, I find myself agreeing with him.

Also his masterclass on writing was great to listen to, and I'm not interested in writing. His ideas about writing/creation = magic have stuck with me.

He's always lucid, and clear, and has a stark sense of observation.

One of my favorites: https://alanmooreworld.blogspot.com/2019/11/moore-on-jerusal...

Here's an excerpt:

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What was the impact of popular heroes comic books in our culture? Why are people fascinated by alternative realities?

I think the impact of superheroes on popular culture is both tremendously embarrassing and not a little worrying. While these characters were originally perfectly suited to stimulating the imaginations of their twelve or thirteen year-old audience, today’s franchised übermenschen, aimed at a supposedly adult audience, seem to be serving some kind of different function, and fulfilling different needs. Primarily, mass-market superhero movies seem to be abetting an audience who do not wish to relinquish their grip on (a) their relatively reassuring childhoods, or (b) the relatively reassuring 20th century. The continuing popularity of these movies to me suggests some kind of deliberate, self-imposed state of emotional arrest, combined with an numbing condition of cultural stasis that can be witnessed in comics, movies, popular music and, indeed, right across the cultural spectrum. The superheroes themselves – largely written and drawn by creators who have never stood up for their own rights against the companies that employ them, much less the rights of a Jack Kirby or Jerry Siegel or Joe Schuster – would seem to be largely employed as cowardice compensators, perhaps a bit like the handgun on the nightstand. I would also remark that save for a smattering of non-white characters (and non-white creators) these books and these iconic characters are still very much white supremacist dreams of the master race. In fact, I think that a good argument can be made for D.W. Griffith’s Birth of a Nation as the first American superhero movie, and the point of origin for all those capes and masks.

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Comment · 2 years ago
Comment · 2 years ago
Impossible to pick one... best I can do is five-ish, all fiction:

The Odyssey; David Copperfield; Moby-Dick; Anna Karenina; Borges' short stories, in particular Ficciones & The Aleph

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