chr-s

"You got it. Corporate core data for Tessier-Ashpool S.A., and that ice is generated by their two friendly AI's. On par with anything in the military sector, looks to me. That's king hell ice, Case, black as the grave and slick as glass. Fry your brain soon as look at you. We get any closer now, it'll have tracers up our ass and out both ears, be tellin' the boys in the T-A boardroom the size of your shoes and how long your dick is."

It's a shame we've lost "meta" and "grok".

I'm using Safari w/ AdGuard and it seems to work OK.

I read both of these in the last year and they're both phenomenal. I'm working my way through the classics, there's a reason they've survived centuries.

Actually, I listened to a dramatization of The Three Musketeers and I was struck by how _funny_ it is. The 4-way duel at the beginning is hilarious and Aramis' and Porthos' respective romantic escapades give great comic relief to what is otherwise an action packed adventure.

The Count of Monte Cristo is an investment, and the middle third drags, but it's necessary to set up the final third, which is so rewarding for the reader. It's the best tale of revenge and redemption I've ever read.

We're getting into the 1930s now - the sound era and the start of the Golden Age. Here's some recommendations.

The Divorcee - Norma Shearer won best actress for this performance of a sophisticated woman. She evens the score after her husband has a brief affair, and as this is pre-Hays code, she isn't punished for it.

Hell's Angels - produced by Howard Hughes, is worth watching for the dogfighting stunts alone. 4 people died filming them.

Holiday - Inferior to the later Hepburn/Grant remake, but still a solid rendition of the play.

L'age d'Or - Luis Buñuel's surrealist showcase

Animal Crackers - the Marx brothers, it's still funny

There's certainly something to novelty wearing off with time but I don't think that diminishes historical work. When I listen to Abbott and Costello perform "Who's on First?" (c. 1938) - it's still funny. It's not intrinsically less funny because I've heard it and things it inspired many times over.

It's also in how you watch things. I sometimes catch old films in the theatre and the room is filled with laughter. I was belly laughing to The Palm Beach Story (Sturges, 1942). Heck, I've been to see Shakespeare where everyone's laughing.