ashleyblackmore
Joined 14 years ago
Joined 14 years ago
Eno worked on a number of projects to generate music years ago, with Bloom and similar: http://www.generativemusic.com/. A quick fiddle with that can definitely generate some banal hold/elevator music.
Sure, the algorithms, once sufficiently advanced, could probably trick us into thinking that certain examples of generative music were made by a person and then later reveal its algorithmic origin to prove that "the humans are stupid" and "the google algorithms are clever" but what are we actually proving here?
Can a computer devise new artistic forms that have some genuine impact on people - can a computer come up with Bacon's Triptych of George Dyer outside of regurgitating fragments of what it already has seen? What do we get out of a computer aping the alcohol-fuelled sweaty anarchic performances of The Black Lips?
The interesting stuff will be to see if this goes to other places that music has not yet gone - some new composition method - manipulation of frequency in ways that humans have not yet devised.
However there are no references to him on his "discoveries". Note the lack of a history section https://en.wikipedia.org/wiki/Teichm%C3%BCller_space and compare that to the section on Hilbert space: https://en.wikipedia.org/wiki/Hilbert_space#History
On the other hand, Felix Hausdorff, who also appears to have worked in the same field (though topology is probably a far broader field than I can understand) has plenty of information readily available. This is conjecture, but the mere lack of solid information on Teichmueller could lend credence to some of what you say.
There is a book about mathematics under the Nazis, which would likely cover a lot of ground http://www.jstor.org/stable/20453494?seq=1#page_scan_tab_con...
Anyway, bit of a mystery ¯\_(ツ)_/¯
* Thousands of free decks
* An open ecosystem
* Source code
* Doesn't spam your email
* Isn't just a straightforward monetisation of anki's general premise
I could see some value being produced from this, but it just isn't there right now.
Any middle ground between "highly valuable" and "disaster"?
I don't really think svs meant any offence, especially having now seen the original poem. I also don't think we can live in a society where everybody has perfectly-formed liberal views. At the same time, I'm not down with this "why are people so easily offended"/"turn down your offence-o-meter" argument that one hears when this comes up, mainly because it is a trivially easy card to play when you aren't the target of the stereotyping