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Comment · 8 years ago
Comment · 8 years ago
Comment · 8 years ago
Comment · 8 years ago
Reminds me that Kierkegaard has written about Google:

"A revolutionary age is an age of action; ours is the age of advertisement and publicity. In the present age a rebellion is, of all things, the most unthinkable. Such an expression of strength would seem ridiculous to the calculating intelligence of our times. On the other hand a political virtuoso might bring off a feat almost as remarkable. He might write a manifesto suggesting a general assembly at which people should decide upon a rebellion, and it would be so carefully worded that even the censor would let it pass. At the meeting itself he would be able to create the impression that his audience had rebelled, after which they would all go quietly home – having spent a very pleasant evening."

Comment · 8 years ago
Comment · 8 years ago
Reminds me that Kierkegaard seems to have written about social media:

"Man, this shrewd being, ponders day and night how he can invent new means to amplify the noise and how he can spread the sound and the empty talk as hastily as possible everywhere. What one achieves in such a way is probably soon the opposite: the message is soon brought to its lowest level of fullness of meaning, and at the same time, conversely, the means of communication in the direction of hasty and all-flooding distribution have probably reached their maximum, for what is more hastily circulated than gossip?"

Comment · 8 years ago
What about Waiting for Godot? The play in which nothing happens, two times.
Comment · 8 years ago
There's a lot of architecture in Shakespeare. The non-Aristotelian structure of his plays, the highly stylized language, the iambic pentameter, the stage directions. You could endlessly examine the structural characteristics of his works.

The list obviously plays with leaving things vague, ambiguous, uncertain. It's funny how this seems to enrage certain people.

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