Recent submissions

Comment · 12 years ago
Also see https://www.igvita.com/2013/09/29/retrospective-high-perform... for a more disciplined approach to amassing data related to writing a book.
Comment · 12 years ago
That is a great quote. I used it in the dedication section of a book I wrote recently. Bach is fascinating on many levels - lots of C.S. types quickly appreciate the structure/counterpoint in all of his instrumental music. But because so much of his music was written for a worship context, a whole additional dimension can be seen where he uses musical devices to comment on or support words being sung.
Comment · 12 years ago
Should be "rare occasions" I think. Great quote.
Comment · 12 years ago
How about Steam?
Comment · 13 years ago
It is at least heavily weighted towards speech like the previous comment mentioned. This is difficult for modern folk to understand. In Anglican chant, the term "Anglican Thump" is used to describe a common problem where singers race in the initial section of the chant up to the cadence and then stop to pound out the last few notes in metered time.
Comment · 13 years ago
The timing in most modern music is metrical rather than driven by speech. Gregorian chant (or other forms of chant) are closer to what much ancient music was like in my understanding . This is also why a lot of poetry of the time is not characterized by huge amounts of metered syllabification and rhymes and the like (though some are cited in the article). I am basing this a bit on the idea that Jewish chant that later impacted the early church a few hundred years later is somewhat reflective of musical practice of the time.

Live from the official Hacker News API

A modern reader for Hacker News · SvelteKit + Skeleton