Genereally very low for a single track? What about 200 tracks? Badly written synthesis, or badly recorded live instruments, or bounced and re-bounced dozens of times... we are not talking about the quality-defining aspect here. You can produce an excellent mix on KRKs connected directly to a MacBook.
This space is not driven by a single precise formula. 48/96 kHz helps some engineers to produce better sounding mixes. Can everyone hear the extended range of Adam tweeters? Probably not. But some can, and they benefit from that. Even if there is no double-blind study to prove this in absolute terms.
This space is not driven by a single precise formula. 48/96 kHz helps some engineers to produce better sounding mixes. Can everyone hear the extended range of Adam tweeters? Probably not. But some can, and they benefit from that. Even if there is no double-blind study to prove this in absolute terms.