> "A huge part of the joy came from working in Ableton Live 12, which now feels like an extension of how I think" I feel the same way, but for Reaper
Seeing the author mentions that decomposition of the snare is the hardest, and that’s what I was trying to solve in https://github.com/chaosprint/RaveForce (just an idea).
Multimodality AI is much more powerful now. I wonder how helpful it would be for music and art education if AI could help us deconstruct some songs.
When I was teaching kids with Glicol, I often used KraftWerk’s Das Model as an example:
> "A huge part of the joy came from working in Ableton Live 12, which now feels like an extension of how I think" I feel the same way, but for Reaper
Seeing the author mentions that decomposition of the snare is the hardest, and that’s what I was trying to solve in https://github.com/chaosprint/RaveForce (just an idea).
Multimodality AI is much more powerful now. I wonder how helpful it would be for music and art education if AI could help us deconstruct some songs.
When I was teaching kids with Glicol, I often used KraftWerk’s Das Model as an example:
https://glicol.org/demo#themodel
This rough midi version is very different from the original, but the kids had a lot of fun messing around with it.