sho_hn
Joined 15 years ago
Joined 15 years ago
That said, Suchet's performance is magnetic but almost a bit too dignified to me. Stewart's take is not as handsome and agreeable, but makes perhaps more sense for Shylock - that raised-index-finger teach me moment is just sublime smartassery.
Suchet's Shylock is angry for being wronged, and rightly so. Stewart's Shylock is justifying his actions, and a little proud of himself for thinking of the justification. With modern eyes it's very compelling to side with Suchet's Shylock, of course, but it's perhaps not really the character. But then this duality is of course a great reason the play remains forever relevant and popular.
Regrets over which he struggled with in Family, and which bring him to tears later, in Generations. The writing was aware of the contradictions, which also elevated it.
I'm sure those writers were quite content writing for an actor of that calibre. Imagine putting words to the page, knowing Patrick Stewart will take them out into the world and surely stick the landing.
What a great combination.
We know Stewart was not a great writer, of course. When he had opportunities to take the reigns of the Picard character creativitely he usually asked for more action, and the results were a bit more conventional and boring. The combination was certainly also needed for the magic.
I always liked this video from an acting workshop where Suchet and Stewart deliver contrasting performances of Shylock and discuss their choices at length:
Konsole is a fantastic and very mature terminal emulator, but it does have some real gaps that reveal its age.
The Qt toolkit that most KDE software is based on at some point introduced a next-gen toolkit-within-a-toolkit called Qt Quick, which most of our newer apps are written in. However, in its library form Konsole can only be embedded into apps that use the old gen toolkit. This is a real impediment to some efforts.
The old gen toolkit also typically doesn't use Vulkan or OpenGL for rendering (the new one supports both), and so Konsole's terminal renderer doesn't either. Konsole's real-world performance during use is arguably just fine, but it does leave a lot of performance and battery life on the table.
libghostty also has somewhat wider support for newer stuff like Kitty protocols, even though Konsole certainly trumps it in support for older stuff (like sixels).
There's some other shortcomings to Konsole that are not inherent to the technology, like accessibility support not quite being where it should be.
And while the default UI is, in most distros, OK, there sure is a lot of spiderwebs and spacebar heating lurking in the settings dialogs (of which there are strangely many). It's also a bit dated vs. our HIG at the moment.
Which is to say, these projects can and do have a point, especially if they provide a nice library instead of hoarding all the good to themselves.
It's been a quite smooth experience, and I remain very excited about the lib. I believe you are successfully setting the standard. Big congrats for your 1.4.0!
Also, I didn't say the artwork's goal is to "hate it". I was more pointing out that artists sometimes also process and show negative motions or moments. It doesn't have to be pretty.
In my opinion it's actually you who is putting art on some kind of pedastal. To me it's just a nice additional mode of communication that makes the spectrum richer. A well-known painting is an emoji deluxe.
In the past two decades of CG etc. untold numbers of words have been spilt on the subject of the Uncanny Valley and you always get this explanation of how the brain has dedicated pattern matching circuitry and can easily flag when faces feel "off".
How interesting that the same is true for language. Turns out we're not just visual-heavy animals, but also very symbolic ones.
I would say putting it in this context makes for an interesting reinterpretation.
Well-known paintings are sometimes used as metaphors and shorthand. I think it's fun.
I'd say that you get a strong emotional or visceral reaction out of it (it's grotesque, you don't like it, etc.) may speak to its power. It was perhaps drawn out of an emotion you are simply recognizing.
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