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Comment · 1 year ago
Comment · 1 year ago
The UK certainly have had its own counterculture. In some ways more than the US. That still doesn't take away from the franchises being published (and in parts made) by US companies with US culture in them.

The UK had an influence in punk music. But it was also banned by the BBC and bands were at times left to tour elsewhere. Japanese companies created most of the affordable electronic instruments. Yet, electronic music in jungle, drum and bass, UK garage and rave culture took off in the UK with influences from reggae, soul and R&B. Now with the help of BBC Radio 1. This style of music then made it into Japanese video games. With similar things happening in the US with jazz, hiphop and house music.

I'm sure it is possible to gotcha the argument. Hollywood has still created far more interpretations of science fiction in media than anyone else. If you really want to argue for British dystopian science fiction movies then Children of Men is an excellent example. But it is also almost the only one of note.

A country with major influence on science fiction that often goes uncredited probably isn't Japan but Canada.

Comment · 1 year ago
Gibson was obviously very inspired by Japan. The Matrix was also in part directly inspired by Ghost in the Shell, even creating The Animatrix at the same time. But Ghost in the Shell and Blade Runner was told from the inside. It is about the authorities chasing down rouge elements. Neuromancer and The Matrix is from the perspective of the outsiders.

Like someone else said in the comments here, cyberpunk is counterculture. It is in the name. Gibson moved to Canada to avoid getting drafted into the Vietnam war. Japan never really did counter-culture as mainstream as the US does. Considering the overlap between cyberpunk and anime, I would actually say that Japan is sometime given too much credit by being treated as the superior original with deeper meaning. When it is Western media that have explored more advanced and diverse interpretations.

A similar thing happened with Battle Royale. A niche movie. The same concept became a cultural phenomenon with The Hunger Games, and later Maze Runner and Divergent series. And then video games. Now made from the outspoken perspective of the teenagers.

So you should absolutely credit the US counterculture and environment for a large part of cyberpunk and dystopian, but also more utopian science fiction. I don't even like Hollywood much, but it still has a far wider catalog than anyone else. Who else could make Grand Theft Auto, Call of Duty: Modern Warfare or even Star Trek: Voyager? Disney made Andor by the way.

Comment · 1 year ago
No it wasn't. The question was that if regulation creates more competition with Apple what are the markets with this competition?

European companies compete with US companies, including Apple, in areas where there is competition. In music software, music streaming, engineering and finance software, services and so on.

Apple has around 33% smartphone market share in Europe. Where is the US competition? Google at 3%. The actual competition is non-US in Samsung and Xiaomi. You can argue that Google competes with the Play Store, but then there is no competition with the Play Store on Android from the US.

Big US tech companies don't compete with each other as much as one might think. Most of their revenue comes from dominating one area or platform, with little competition from the rest.

So therefor the common conclusion that Europe should be more like the US to have competition also doesn't make sense as the big US tech companies don't have serious direct competition in the US in their core businesses.

You can't compete with the big tech companies by creating a Google with 3% market share in smartphones to compete with Apple, a Walmart with 6% online retail market share to compete with Amazon, or a Microsoft with 4% search engine market share to compete with Google.

Comment · 1 year ago
> The problem is that you pass DMA, DSA, GDPR, etc. which Google, Apple etc. can fight for years in court and if they have to pay a few billion, so be it.

And how do you compete with the big tech companies without it? It's been decades without anyone being able to do it. Not in Europe and not in the US. OpenAI might have a chance, but they also have billions.

The days where someone could drop out of school and start a company in the garage is over. Cost of living is up, so is competition. Companies need to expand and regulation like GDPR makes it easier to do so instead of having to deal with multiple countries regulation. The US always had an advantage in regulation like the DMCA.

To spell it out, before regulation European companies had to...

Deal with privacy regulation of each country. Which in the EU was supposed to be similar, but wasn't entirely. With GDPR not only is it the same in the EU, but other countries are now following the same model.

Register for VAT in every EU country it sold (enough) products in. Making many not sell to other countries at all until Amazon ate their business. With VAT MOSS you only register in you own country.

Accept many form of payments with many different fees since credit card adoption and cost could vary wildly. With interchange fees capped you increasingly only need to accept common credit cards.

Pay large roaming charges when traveling, making starting services like Uber or Airbnb less relevant since you couldn't assume someone had data in another country.

Try to compete with big tech companies that were charging for access to their platforms while minimizing their taxes through royalty payments, VAT deals and offshore holdings. Giving them a huge advantage. This is still the case, but lesser so.

For actually running a company it is a lot better now.

There are other problems with EU regulations. Some things are natural monopolies or in other ways doesn't do well as markets. Privatization and state-aid rules prevent European countries from effectively managing these areas. Any advantage Europe had over the US in cost of living and public services is rapidly diminishing.

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