main_gi
Joined 6 years ago
Joined 6 years ago
Is "hard mode" based on difficulty judged by a solver? It feels like something that would more easily differentiate the modes would be adding extra numbers instead of 6 for all modes.
How does the "app" feature work? Was it easy to make (given a static site)?
If everything/everyone adopted a no-self-promotion policy no product could get any popularity. I think the rule is often instated for reasons really involving low-quality content and spam (but with more exterior objectivity), but it hurts the already-disadvantaged in the process. The only good thing that may come from it is having to focus on features and benefits of the product more since you can't just dump the link to the product, but again already-famous people/companies don't have to deal with that.
In addition all these terms are one-indexed because zero was not invented yet, so "unison" in western theory, which refers to two of the same note being played, gets the number 1 (uni-). The same goes for the minor/major second, and so on. This is what causes all the terrible addition problems.
The diatonic scale's strong relevance in music theory is not completely unjustified because almost all consonant (or "good sounding") music is made in it, but it's not very helpful to have to deconvert these terms to any other scale.
I visualize all scales as 12-note equally spaced scales and strongly recommend anyone else to do the same. It's known as the chromatic scale. In this system a unison is just 0, a minor second is 1, major second is 2... and so on. You'll see this system used in "music set theory" https://en.wikipedia.org/wiki/Interval_(music)#Generic_and_s... - look at the semitone number to see the amount of equally-spaced spaces between the notes. Although, the word "semitone" is also a poorly thought out choice due to the diatonic scale (it implies a base unit of "2" instead of "1" since semitone corresponds to 1). Music set theory terminology is much better than western theory IMO, but I think a lot of music set theory buys into too many mathematics-based hypotheses (when it tries to draw equivocations between scales), so I find it has its own issues.
And - I personally analyze music in semitones, not scale degrees. I find it much more useful. Even though that's not considered "standard" there are some things even standard theory has to use chromatic language to describe, like the tritone (you could get into "#4 or b5" but that would require a lot more than just saying 6 semitones).
Your entire hypothetical dialogue is confusing as well, since your hypothetical person isn't using correct words either. The situation where C + 6 of something = B is with scale degrees (C moved 6 scale degrees up is B). And then you say "I currently mean tones", when 6 "tones" has the exact same grouping problem you are criticizing (because 'whole tone' and 'semitone' have the exact same meaning as 'whole step' and 'half step', only now 'scale tone' is in the group too). This artificially lengthens the example.
"The tritone of this note is 6 steps up" "Gotcha, so the tritone of C is B" "No, that's scale degrees, by 'step' I mean 'half step'." "Oh, so it's F# then." Done.
Well I thought the rules were easy to understand, although I had the model that the word was constantly changing every time (instead of being the same winning word for everyone), if that's right. Anyway I am annoyed at you. https://i.imgur.com/DXctJnb.png
It says "E replaced with I in the WORD" and shows the E as yellow. That's wrong, and I was trying to find an anagram for "ABSEI" but I guess the E as yellow is just a bug or something because there's no E. I do realize the 4th word was not a good guess though (yellow S).