jonhohle
Joined 18 years ago
Joined 18 years ago
After a while, watching the same rerun or failing at the same Contra level got boring and playing outside seemed like a good change of pace. For most people, watching TV was at least somewhat communal.
Eboshi is socialism. She cares for the people in her village and will overthrow gods and warlords to protect them. She’s in direct conflict with the forest gods and has what she thinks is an opportunity to bring peace. She’s willing to put herself in jeopardy for her people. I have never assumed anything but her pure altruism for the people of her village. She’s the type of leader you want to protect you and don’t want to be up against. That protection doesn’t exist in a vacuum, and just like historically socialist societies, she’ll use violence to achieve what she sees as ideal.
Jigo is capitalism; self centered and money motivated. He’s just a bounty hunting mercenary. He doesn’t care about the consequences, just about getting his job done. He does have some loyalties and is very honest about his approach to the world. The men he eliminates are not his men, but local samurai who are the least morally ambiguous. He’s not a hero trying to protect Irontown from the same samurai, but at the same time, he needs to ensure he comes out with the prize, otherwise he doesn’t get paid. He’s calculated and efficient, and his men actually kill two birds with one stone.
That’s the joy in most Miyazaki movies. Any other movie would have an obvious evil villain. Miyazaki gives all of his characters motivation that is immediately relatable. Sometimes characters that appear to be villains at the beginning are heroes at the end.
All of these things mirror the real world. Rarely is someone actually intentionally evil. They may have different priorities, goals, fears, and motivations, and those may produce behaviors or beliefs that seem bad, but without understanding the why or what, it’s easy to just assume their “bad” people. Ashitaka doesn’t take the bait and is kind, respectful, and generous to everyone who isn’t obviously doing something atrocious (like the samurai slaughtering peasants).
Princess Mononoke is easily one of my favorite movies of all time and my favorite Miyazaki movie.
Personally, I’ve wondered why they don’t just generate machine code.
iOS has gotten reasonably good about tracking packages in wallet outside of any other app, but then again, wallet has sent advertisements about other Apple things.
Your perspective is like saying LLMs have had no impact on mathematicians. Or dirt bikes don’t have impact on hiking trails.
I do apologize however. I inferred from the repo that the decomp was done by LLM, but I’m glad to see it seems like an older, pre-LLM decomp.
I have mixed feelings about modern LLM implementations of older game SDKs, but generally support it. Though copyright and licensing there can be tricky as well. Caveat emptor.
(I also adore MS)
You know what people learn when they vibe code a decomp? How LLMs work.
If I come across a hacker news front page story, I want it to be something interesting about a topic. Seeing a topic I’m deeply familiar with actually be another vibe coding project is exhausting and click bait. I can’t learn anything more about what I was trying to learn about in the first place.
Publishing this on GitHub is actively harmful to the RE and decomp communities. Vibe coders don’t care and probably don’t even know. They haven’t talked to the EFF, read USPCO opinions on fair use, followed VGHF’s attempts to expand rights, or anything that will legally move the needle forward. They’re just dumping mountains of copyright infringement under terms previously associated with completely legal activity.