hiworld6543
Joined 11 months ago
Joined 11 months ago
It’s when the value of money decreases that government has to choose among reducing spending (often by reducing services), increasing tax rates, and electoral losses. Most choose incremental tax rate increases because it’s easiest and the people likely to complain are unwilling to run for office to replace the people who raised the taxes.
The investment was out of necessity, not interest in monopolies.
Writers and directors craved an audience, so they appealed to studios for funding. That’s opportunity meeting, not monopolistic practices.
I bet some academic paper mill gave out a phd for this drivel.
Must be Dutch humor.
Nolan filmed in IMAX. It could just be reduced in size, as you suggested by letterboxing, for standard screens. But they won’t. They don’t want you experiencing the full size movie on a standard screen. They want you to go to IMAX because it costs more.
It’s not about the experience. It’s about money.
It’s no different than car manufacturers of the 1980s selling a base model vehicle with hand crank windows. They could have used the same assembly line to cheaply install machine powered windows for every vehicle of that model, but they intentionally did things to push customers towards more expensive models.
The movie is essentially a total rewrite that uses nothing more than the poem's title and character names. Few other details, motives, lessons, or tensions were retained. It should have been called The Odyssey: A Parody.
It is worth mentioning that the original poem was never intended as a strict historical account. One can retell history through a few different lenses: from the perspective of a neutral investigator, from a cultural perspective, or through the literature inspired by that history. The Odyssey was a mythic epic in that third style.
Homer's original poem was written down after many generations of oral tradition in Greek culture around 3,000 years ago. That it survived is a testament to the cultural value of the details, motives, lessons, and tensions embedded within The Odyssey. None of those values made it into the movie.
The issue is not simply the (laughable) liberties taken with casting or the historical inaccuracies. The movie deviated so far from Homer’s vision of a heroic, faithful, and tragic King of Ithaca that calling it The Odyssey is fundamentally dishonest.
Homer’s Odysseus feared and fought gods and mythological creatures while longing for home (nostos, the word where "nostalgia" is rooted). He was confident and clever (metis) and didn’t waste words.
By contrast, Nolan’s Odysseus is a war-haunted loser whose deep trauma and guilt manifest as a brooding, obsessive narcissism focused on securing his throne, people, and his woman.
This movie may indeed be a hit at the theaters, but it is not The Odyssey. It is a parody.
Or write in one of the Semitic or Western Asian languages, which are right-to-left. You’ll never smudge and you’ll be able to enjoy fountain pens.