dsingleton

Joined 17 years ago

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311
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31
Member since
Feb 23
http://dsingleton.co.uk @dsingleton
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Comment · 14 years ago
They have some older APIs that depend on MD5(password) being used directly, to compare against auth credentials or to derive other hashes to verify API requests.

Though older APIs they're still used by many older or infrequently updated clients, such as hardware devices with sold with Last.fm integration.

Unfortunately, the longer you've been around the more likely you are to develop dependencies that make it more difficult to upgrade your password hashing.

A new site can do whatever it wants with password hashing, but it becomes harder for older sites with more legacy dependencies to make that kind of change and Last.fm has been around for almost 10 years.

This isn't to say "MD5 is cool, don't worry", but to try and illustrate some of the reasons behind this.

Comment · 14 years ago
> There are only 2 groups who don't have JavaScript support

That's not entirely accurate. While those are two of the most common cases there are plenty of other contributing factors (http://developer.yahoo.com/blogs/ydn/posts/2010/10/how-many-..., this comment makes a good case). Errors stemming from network congestion, developer error and even CDNs failing - only a few weeks ago the google hosted version of jquery (iirc) failed leaving lots of sites with broken JS and an effective no-JS experience.

Personally I think building a site that works well without JS and then progressively enhancing it is the Right Thing to do. It means you're building a robust site for the real web and the multitude of clients and conditions that comes with. In your example I wouldn't want JS failing to prevent a checkout process, it should be robust and continue working, albeit less smoothly.

> honestly don't see the point of degrading the experience for everyone based one these two demographics

IMO If you're doing progressive enhancement well then this is not the case. I don't think the iOS/Android comparison is accurate either. The web is much more varied, the differences less well defined.

You're right, it does depend on what you're building and for who. But I don't think the general case is as binary as you've make out.

Comment · 15 years ago
FYI the map is rapidly filling with non-tech, non-startup companies,including galleries, art, fashion, nightclubs, etc.
Comment · 15 years ago
sigh

This article is mostly bullshit and certainly doesn't "help grasp what Tech City UK is all about", notably:

"which started as a government effort to rejuvenate East London" is laughably incorrect. Silicon Roundabout was a jokey term coined (by Matt Biddulph) to describe a bunch of companies working and socialising in the area. That was a few years ago, since then it's become a big PR thing for local companies (mostly co-working spaces) and now government.

Sure, there's tech growth, but an much is from pre-existing companies and people. Gov involvement has brought some attention to the area, but also a lot of sycophants and opportunists.

Another good skeptical read: gigaom.com/2011/11/11/is-london-tech-citys-phenomenal-growth-just-spin/

Comment · 15 years ago
Careful with that, I can already see that person getting abuse whether they are involved or not :/
Comment · 15 years ago
They're a) lovely, b) just down the road from us, and c) share some of our old staff.

We see them in the pub quite a bit.

Comment · 15 years ago
There isn't a Facebook style "Give me a chuffing great zip" option, but there are lots of API wrappers to pull down your scrobble history (for example). It could be friendlier to non technical users, but it's entirely possible.
Comment · 15 years ago
That's the easy bit :P Copy wikipedia, disambiguate by genre and/or country .

It gets harder when someone scrobbles a track by "Felt", to which artist do you attribute it? There's a whole host of problems like that to solve too.

Comment · 15 years ago
I can entirely understand that, and kind of agree. We have more data that anyone could know what to do with, but we should be doing more, I'd certainly like us to be.

To try and explain the apparent lack of activity; the last couple of years have had a lot of sorting-house, changes in product (moving away from on-demand, charging for some services, etc) and some technical "house keeping". Last.fm has been around for ~8 years, that is a long time and comes with a lot of technical debt, it can slow you down.

PS: One of my favourite things about Last.fm is our approach to openness of data, our API makes it totally possible for hypem (who are awesome, especially Anthony) to use your scrobbling data, even the recommendations we generate for you, on hypem.

We believe that if the data is visible on the website then there should probably be an API for it, because if there isn't, then someone will have to scrape it anyway.

Comment · 15 years ago
(I work at Last.fm)

Spotify is trying to be the perfect on demand music service, Last.fm isn't. It's something we tried and ended up moving away from a year or two back.

On demand music is a very difficult market to be in. There are lots of companies trying but many failing or hitting difficulties, like Spotify in the US. There are real challenges in a) being profitable and b) stay on the good side of labels.

Personally I believe that the on-demand part of music streaming is commodity and more can be easily replaced, where as scrobbling provides a richer and more personal experience. However, I do agree with parts of the article, Last.fm hasn't moved as fast as it could have, some features need adding and some improving. That's part of the plan for this year.

Comment · 15 years ago
It's not ideal, but artist-disambiguation is also a non-trivial problem to solve. The effort of which needs to be balanced against a) how many people it affects and b) what else needs doing.
Comment · 16 years ago
Comment · 17 years ago
Honest question, not addressed by the TF article (and unfortunately I don't speak Swedish for the original);

Is $167 for all Spotify Lady Gaga plays, or those plays made in Sweeden (and thus under the remit of STIM)?

As I understand music licensing Spotify would be required to pay royalties to the collection society relative to the location of the play.

Comment · 17 years ago
Although I'm not a huge fan of Paul Carr, he did work for the Guardian, and now for the Telegraph, so I wouldn't judge him by TC association alone.
Comment · 17 years ago
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