dasyatidprime

“generally”? I live in an area of the USA where AFAIK bicycles are officially dual-mode and allowed to be on both roads and sidewalks, and have been on both sides of pedestrian/bicycle encounters on sidewalks in the past, without any major issue.

From the article it sounds like the Pennsylvania legislature has already considered the case of delivery robots specifically and decided that they should go on the sidewalk, though to what degree that reflects the popular will is unknown to me.

For the broader field I tend to use the term “character-cell art”.

Something seems strange about this publication. They're doing a lot of talking about machine perfection in music, but some of the articles have big chunks that read as 100% AI on Pangram, mainly “The Shame Machine” which is itself primarily about generative AI. However, I didn't observe that in the OP here, nor on the most recent post “The Climate Crisis Has A Music Problem”. Was that an early approach that's since been abandoned, or a dubious meta joke for that specific article, or what? And then the rest… clearly they have a thesis they want to keep harping on, and as someone with musical experience I'm empathetic with what seems to be the main throughline of it, but the Substack as a whole reads as being heavy propaganda for their particular certification, which is a scammy feel.

Aside: in Unicode we now have ″ and ′ for that. Also the triple variant: ‴

I agree with an overall thrust of “C++ is overcomplicated and has many moving parts and a lot of implicit stuff happening in the background that makes it difficult to understand”. But I do want to briefly note that Lisp environments have macro expansion steppers for a reason too.

I think “indoctrinate” is more likely.

Aren't you talking about how expressions are evaluated in #if there? An expression form that shows up in a macro that is then embedded in normal C code just becomes part of the C code that could potentially get evaluated with C rules at compile time; it's not inherently evaluated at preprocessor time.

if table --warble farble; then :; else table_ec=$?; echo "Garble warble farble! :(" >&2; exit $table_ec; fi

Works in dash/bash/zsh at least; not 100% sure whether the behavior of $? on the command in an if test is mandated by POSIX and/or portable. Note that you can't replace the empty then-branch with a negated condition because the negation also eats the return code.

Also, absolutely correct propagation is essentially impossible (but usually not useful anyway), because some errors might be unexpected signal exits or inability to find the command in the first place, and those will get punned onto other nonzero exit codes. I forget the exact conventions OTTOMH but generally they're in the high half (≥128).

They wrote “if and why”.

This is one of the the cases where “the language model won't necessarily respect IP law” is really relevant. Individual users may be able to get away with this because they're too scattershot to sue, and users in some jurisdictions may actually be fine regardless, but broadly, the patent licensing around things like H.264 is not something BMD can afford to ignore. AFAIK the biggest reason Google was pushing WebM in the first place was because they, a huge corporation, were balking at being under the thumb of the MPEG LA!

I appreciate that it can be confusing for users that patents can still apply to techniques where implementations exist that are both libre and gratis from a copyright perspective, but this has been an issue for Linux-adjacent software distribution for ages—like, see how Debian used to put certain stuff that was encumbered by patents in the US but not in other jurisdictions in special “non-US” repository sections, that sort of thing. It's not Black Magic's doing that the codec space is like this. I wish people wouldn't make so many mocking assumptions sometimes.