clarkmoody
Joined 17 years ago
Joined 17 years ago
Just go look at $_SECTION in your local bookstore. Most of the books have covers that fit right in with all the other covers on the shelf.
So my question is whether a computer doing the same thing is a difference in degree only, or in kind? But I think most people with strong opinions (and itchy downvote fingers) are coming at this from a moral outrage perspective (massive theft of IP / disregard for humans).
This seems to be the underlying moral justification for creatives' opposition of AI. Job destruction is the obvious self-interested justification.
My question (probably not original) is this: which biological neural network was not trained on copyrighted material from other artists? Which guitarist never listened to classic rock bands? Which painter never looked at Monet? Nearly all successful artists publicly recognize the influence of prior art on their development and style (and the rest are lying).
A quick hypothetical:
Let's say instead of hoovering up billions of images from data dumps, the AI researchers took a still camera to all the art galleries on the planet and snapped photos of art, then trained the neural network on those photos. Is this still "theft" of the artists' work? What about if an embodied AI in a robot chassis did the same, then painted new art with oil & canvas? Is this still theft?
Perhaps this example fails because it's not enough data? But is it a difference in degree or a difference in kind?
> The Library of Congress has said trying to count them is nearly impossible.
First reply was exactly the same as most of the top-level comments here today: "That doesn’t prove anything. Make your fake video, point your phone camera at it, record."
Of course, I'm sure someone else had thought of something along these lines in the 90s, I just didn't have a citation to hand.
Perhaps this has something to do with the economic dislocations and world wars between the 1870s and today?
[1]: https://clarkmoody.com/Moody_AgentBasedElevatorControl.pdf
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