citation_please
Joined 9 years ago
Joined 9 years ago
Frankly, letting a company aggressively market a highly addictive compound to an impressionable segment of society because of a single-use excuse ("it can be used as medication!") is a bit disappointing. It also reads as astroturfing because it's such a limp talking point.
Since I don't know for sure which direction causality points, I'm going to take the path of maximal self-determinism and try to stay fit as long as possible.
1. increase in healthcare costs and how health insurance is bound to employment
2. increase in wealth concentration and a shift from cash compensation to asset compensation (Bezos is only absurdly rich if he liquidates his Amazon holding instantly)
So, I would say your portrayal of hourly compensation is disingenuous as well. All of these statistics probably need to be calculated as medians instead of means ("compensation per hour" sounds suspiciously like "total compensation / total hours", which is a mean) in order for it to come close to accurately describing the situation of the median American, because wealth concentration has skewed the mean American into something a lot more optimistic than one would think.
Something tells me that the welfare safety net has more societal benefits than a wage floor, but right now we don't really have a respectable form of either compared to 20 years ago.
* Eric Prydz at Ultra Music Festival 2014 https://soundcloud.com/eric-prydz/eric-prydz-live-ultra
Lots of more-recent converters to the Prydz fanbase point to this set as being the "A-ha" moment of getting his music. He somehow manages to fit in a lot of different-yet-cohesive moods into 60 minutes, and the final song is a (live?) mash-up of two of his classics that is really, really clever and satisfying.
* Above and Beyond BBC Radio 1 Essential Mixes
* 2004 https://soundcloud.com/aboveandbeyond/r1-essential-mix-of-th...
* 2011 https://soundcloud.com/above-6/above-beyond-bbc-radio-1
Take your pick of 2011 or 2004 depending on whether you want to tackle more-poppy, modern 128BPM or a more classic, lo-fi acid-influenced 138BPM. I think the bootleg of Massive Attack's Teardrop from 2011 is a very special track, can't really speak highly enough of it...
* Yotto at ABGT250
* SoundCloud https://soundcloud.com/b-rizzzle/yotto-abgt250-live-at-the-g...
* YouTube https://www.youtube.com/watch?v=jtL1Ff0T6IM
I included a YouTube link because the audio doesn't do the gorgeous setting justice - sunset at The Gorge, Washington State, if you can get past the interesting rave attire that Americans seem to feel compelled to wear at festivals. Fine Day is an absolute classic, very airy and day-dreamy; bonus for the recording capturing the crowd singing along.
* Undercatt at Watergate https://soundcloud.com/undercatt/undercatt-watergate-berlin-...
Club instead of festival or Essential Mix. Again, ends on a very classy, satisfying track that rewards you for sticking through to the end. A bit more techy and minimal than my other choices.
* Sasha at Watergate https://soundcloud.com/last-night-on-earth/sasha-presents-la...
Same club, one year earlier. Again, more techy and minimal. The track around 28 minutes, "Trigonometry" is a perfectly drawn out with a very intense climax, and absolutely deserves the "progressive" moniker - unfortunately it's the radio show and Sasha talks over the track hah. This is only a middle snippet of the full 4 hour set.
* Lane 8, Anjunadeep Edition 28 https://soundcloud.com/anjunadeep/anjunadeep-edition-28-lane...
Something a bit poppier, but deep. Just like the Eric Prydz UMF set, a lot of Lane 8 fans point to this radio edition as being their "A-ha" moment. Very, very classy and restrained, but with some darker, more emotional moments.
* Armin van Buuren, Amnesia Ibiza 2008 https://soundcloud.com/rave_on/armin-van-buuren-live-armin-s...
If you can handle modern (post-2000) trance, then this is definitely one of _the_ sets to listen to. Really runs the full gambit of the genre as it was in 2008, starting slower and poppier, and ending with a very intense final two hours.
Anyway, this passage stuck out to me:
"""There is something that still rings true of Mattheson’s general idea. We do tend to associate some musical features with being uplifted and others with melancholic reflection, both of which might afford a certain subsequent pleasure to listeners. Just think of how we use music in our everyday lives: some tunes help us to work out or to get something done, while others allow us to cry."""
Composers aren't the only ones who have ever tried to manipulate the crowd. I'm not sure how pop stars/rock bands etc. plan out their sets, but one thing that any DJ[0] worth his salt pays attention to is "harmonic mixing"[1]. Taking things "darker", or trying to bring up the energy, are common strategies taken into account when planning a harmonic transition. I've personally bore witness to plenty of incredible sets that take you from the very top to the very bottom, and it's funny to me that the same ideas are masked behind hoighty-toighty music theory terminology that is used almost exclusively in reference to...music that was composed hundreds of years ago.
[0] By DJ I mean someone who does more than weddings, and certainly doesn't take requests.
[1] https://music.stackexchange.com/questions/14291/what-is-harm...
Running and extending numerical simulations with supercomputer clusters is just something you have to learn to do in order to solve your problem in some cases, apparently.
We don't work in advertising / marketing / business analytics, which is very easy to have an intuition about; and we don't strictly work with images, which, again, isn't terribly difficult to have an intuition about. So a strong scientific background is actually a major plus for us.
I could see that if we were doing purely deep learning image classification or advertising prediction then the physics degrees would be less useful, but thankfully we don't.
You're right about "research", although I'd hesitate to use the word hardcore hah. We get tons of candidates with ~2 years of slightly relevant work, but rarely do we get candidates with the exactly right relevant work. The "qualified" candidates I spoke of have ~4 years of slightly relevant work, but there are only a couple of them, and they're either out of our hiring budget or currently working for our team.
Our other tier of hireable candidates have been individuals with 4+ years of industry experience, usually with CS PhDs with a machine learning specialty.
The rest of our team came from internal transfers, people who were less qualifed but proved that they would have a positive impact on the output of the team.
Maybe I'm an outlier as an individual in my mid-20s, but it's enough to make me question the definition of class on annual income.