byw
Joined 16 years ago
Joined 16 years ago
So pre-nerf Opus?
I'm not sure why that needs to be the case. Open Pilot is essentially a working aftermarket kit, but they can't sell the whole kit legally, only the hardware.
The difficulty of modifying the body, is mostly a financial decision I think. The body is by-and-large optimized for assembly rather than repair and modifications - that's why body shops charge an arm and a leg.
> Crumple zones are model specific you can’t just change those without making new car.
Yep, and I think that's the problem. Cars should be designed in a way that you can make this kind of safety upgrades. There's little technical reason why with a more modular body and platform, the manufacturer can't design a new crumple zone for retrofit, run finite element analysis, and crash test it.
They may need to rethink fundamentally how mass-market cars are made, like using more fasteners instead of welding in the body and frame, or using plastic instead of sheet metal when they are not necessary, like for the body panels.
That old malfunctioning airbags should be able to be replaced easily.
But then it would incentivize the customers to keep their old cars instead of buying new ones.
It was a $120 option, and most buyers opted out. A few years later they were made mandatory.
I feel like there's very little engineering reasons why we can't, and it's mostly regulatory hurdles, that removes any economic incentives to do so.
I've recently read an article about what constitutes the right balance of regulations when it comes to aviation safety, and that while regulations have made modern planes extremely safe, overly stringent rules are also preventing planes from adopting modern safety features.
In terms of how well expats integrate, I've seen people from across the spectrum. There are definitely those who are meshed into the local social circles. Foreigner privilege is a thing, and I find that how you view social status is a strong determinant in how well you integrate. Those with a more egalitarian mindset seem to do well in this regard.
Most of the art, music, literature before the twentieth century were created under censorships of authoritarian regimes, and they don't lack vitality. Creativity often thrives under constraints.
The main difference is the classics were often created by a single person, while modern entertainment are created by large groups through industrial processes. The latter are capital-intensive, and investors are risk-averse. The bigger the market, the bigger the investments, the bigger the risks, and censorship is not insignificant a risk.
I think as the cost of production shrinks with technology, there will be an explosion of "high-production-value" works created by smaller groups or individuals, many from the "soft-authoritarian" countries. Traditional entertainment industries may gradually fade away, or pivot to some new medium.
Japan's urbanization stopped long ago, and it's not taking in immigrants fast enough, so the urban areas have stopped growing.
The mentality refers to East Asia's deep agrarian root that places high value on owning land that can be passed down the generations (the alternative was often quasi-servile farm labour that locks families in poverty). Property purchases are usually multi-generational efforts, so families can generally take the brunt of overinflated prices.
Unfortunately housing is super overpriced, due to the Asian mentality resulting in high property ownership.
Real estate is always the monkey wrench in the gears of capitalism because of high necessity yet limited supply.