bazzargh
Joined 15 years ago
Joined 15 years ago
The hallucination in the second sample - that Bryan Singer was involved in Superman IV: The Quest for Peace - would have rung alarm bells. It just seemed to be free associating on words in the conversation.
There was a regular alarm test, so we knew where to go. Then one day there was a REAL alarm, we all trotted off in our designated directions, but as we came down that back stairwell, it was full of smoke (not thick, but clearly something going on...) then at the bottom we saw why: TGIF had been stacking cardboard waste in there, plus their employees had been taking cigarette breaks in there, beside the no smoking sign... and you'll never guess what happened. Yep, fire in the fire escape.
The fire marshall was getting very stabby pointy fingering at some sheepish looking people as we went by to our muster points.
(it was just a stack of cardboard and there was nothing else flammable in the stairwell, it wasn't life threatening, just reckless)
15. If the game is controlled with the keyboard, use "O" for left, "P" for right, "E" for up and "D" for down if possible; this takes into account the most important keyboard layouts (no disadvantages for emulator users with QWERTZ, QWERTY or AZERTY keyboards)
While that'd be useful for things like telling someone else what buses they can get, planning a trip, etc, what I actually tried to do was to link to the Killermont Street bus station in Glasgow; Aztec Camera had a sentimental song about late night departures from there - leaving your friends and heading south to look for work - that runs:
As the ships and the steel
Slip away to the cry of "Compete"
There's a message for us
We can get there by bus
From Killermont Street
And indeed you can...buses all over the place. But I can't link to it :)We have both Claude and Cursor here, as well as agents running GPT, things in AWS Bedrock, etc and its my team handle the bills...when people use Cursor on auto, costs are under control, but there's always a dozen or so whale users who'll switch models manually and blow through the budget like it's not there.
Another thing: "better cost controls". There was for example no way for us to disable Fable in Claude, but we could in Cursor. Again, the opposite experience.
When we went we got the priority tickets (can't remember the exact name of the deal) because there were no normal slots left that day; that does get you discounts on stuff but awkwardly the discount is at the gift shop _outside_ and it wasn't clear whether there were things at the fake supermarket checkout _inside_ that you couldn't get outside. It also gets you the card you boop for the scavenger hunt which makes you more involved in the whole thing. So yeah, they got us for some extra cash but it wasn't so bad as a one-off.
You can shorten the candidates list quite a bit: https://oeis.org/search?q=author%3A%22Chai+Wah+Wu%22+2015+Pr...
The article says "Spring 2015" but in fact the magazine was published December 29, 2015. In the text it mentions https://oeis.org/history?seq=A250001 so the interview could not have been earlier than October 2015; Wu's sequence is "recent".
There's a few sequences that jump out, this one, and the prime palindromes of 0's and 1s whose squares are palindromes; but that was August and seems too early.
Instead of just stroking with the average colour, I chose to only connect points that were similar in colour (because of the fauvist thing, I was mainly interested in hue; the paints are all intense). By doing this, I was trying to be edge preserving, without explicitly calculation, eg of the Sobel operator.
It kinda worked in that the edges came out clearly; the resulting painting was messy tho; the thick brushstrokes and the colours are intentional, but the brushstrokes going in random directions is not https://media.hachyderm.io/media_attachments/files/115/894/8... compare to an actual fauvist work, https://en.wikipedia.org/wiki/Robert_Delaunay#/media/File:Ro... which still has the 'dithered' look to the face but the strokes are deliberately aligned, I'd fix that if I try again. (Delaunay also uses small strokes for detail, a thing I wasn't going to try in a throwaway program)
An earlier attempt at generating pencil sketches from photos - again, keeping the number of strokes small, and using parallel strokes for hatching - worked much better https://media.hachyderm.io/media_attachments/files/112/767/4... (it's just sobel to find edges and a bit of sampling with a filter to decide where to shade)
Things don't happen all of a sudden, and being able to see all the scientific papers of the era its possible those could have fallen out of the synthesis.
But again it's not useful in practice for very sparse sets: if you have say a million players, with at most 10 at the same poker table, setting 10 bits of a million-bit binary number is super wasteful. Even representing the players as fixed size 20-bit numbers (1 million in binary is 20 bits long), and appending the 10 sorted numbers, means you don't need more than 200 bits to represent this set.
And you can go much smaller if all you want is to label a _bucket_ that includes this particular set; just hash the 10 numbers to get a short id. Then to query faster for a specific combination of players you construct the hash of that group, query to get everything in that bucket (which may include false positives), then filter this much smaller set of answers.
But to lay it out: every positive integer is a sum of powers of 2. (this is obvious, since every number is a sum of 1s, ie 2^0). But also every number is a sum of _distinct_ powers of 2: if there are 2 identical powers 2^a+2^a in the sum, then they are replaced by 2^(a+1), this happens recursively until there are no more duplicated powers of 2.
It remains to show that each number has a unique binary representation, ie that there are no two numbers x=2^x1+2^x2+... and y=2^y1+2^y2+... that have the same sum, x=y, but from different powers. Suppose we have a smallest such number, and x1 y1 are the largest powers in each set. Then x1 != y1 because then we can subtract it from both numbers and get an _even smaller_ number that has distinct representations, a contradiction. Then either x1 < y1 or y1 < x1. Suppose without loss of generality that it's the first (we can just swap labels). then x<=2^(x1+1)-1 (just summing all powers of 2 from 1..x1) but y>=2^y1>=2^(x1+1)>x, a contradiction.
or, tl;dr just dealing with the case of 2 powers: we want to disprove that there exists a,b,c,d such that
2^a + 2^b = 2^c + 2^d, a>b, c>d, and (a,b) != (c,d).
Suppose a = c, then subtract 2^a from both sides and we have 2^b = 2^d, so b=d, a contradiction.
Suppose a>c; then a >= c+1.
2^c + 2^d < 2^c + 2^c = 2^(c+1).
so
2^c + 2^d <= 2^(c+1) - 1 < 2^(c+1) + 2^b <= 2^a + 2^b
a contradiction.
The AI talks about the movies like they are familiar with Singer's work. But if they were... they would known he was up-and-coming in the 90s, a decade too late to have helmed a blockbuster whose flop would have killed his career? They would have known that Singer made superhero movies _before_ Nolan not just after like the conversation suggests?
Even bringing up Superman IV is weird; it was such a dud it never gets shown, so unless they old enough to see it at the time -like me- (so would notice the 20 year gap!) or were an avid fan (so would know more about the movies!) it wouldn't come up.
On the other hand, for machines all things are equally obscure, they all happened yesterday, and are relevant if cosine similarity says they are.