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Personally I've found that "well curated" sometimes becomes a double-edged sword in Costco's case. Mainstream brands can be expected to be available perennially; however, smaller/niche items and brands will often get cycled out or replaced by something else which may or may not be comparable.

Many times I've found products at Costco that I enjoy, only for them to suddenly stop carrying them a week or a month later.

Several years ago there was a craft beer joint in my area that had a gimmicky "stock market" system for their pricing - the more a certain beer was purchased, the higher its price became, and the less popular brews slowly dropped in price to stimulate demand. Ultimately, they dropped this system for being "too irritating" and moved to a standard static pricing model.

It sounds like the Wendy's thing is based more on time of day and historical analysis of sales, so we will have to see how it plays out. But I think and the end of the day people will become more annoyed when their favored menu item is more expensive simply because they arrived at the restaurant sooner than they expected, or whatever other criteria Wendy's starts basing their pricing on. Having price tracking on their app does seem like the next logical step, but ultimately an annoying gamification (and vaguely dystopian) in my opinion.

Perhaps their customer base feels different and they've done their research on that - I'm not in that group so I'm more of a bystander here.

Indeed, it seems like their whole plan to address profitability issues is just "get bigger", but all that's done is create a bloated, immobile monster that's completely lost touch with thee customer base that got them to where they are.

At ~7000 employees, Unity has roughly double the employees that Epic has - where is all the labor going? To me it's pretty clear that Unity is more interested in being a commercial product/platform whereas Epic is leaning into the engine/technology side and developing their own games. Theoretically both angles can be valid, but I think Unity has completely misunderstood why most of their customers chose then in the first place.

> The one good thing I see out of the coming AI cambrian explosion is that it'll hit the bracket of top 10% to 1% earners the hardest, while those above and bellow are safer.

What are you basing this on? Perhaps I'm missing your exact meaning of "AI cambrian explosion" but right now I think it's arguable that artists and writers are the most threatened by this wave of generative AI - neither of which are usually considered top paying positions.

While it will inevitable be larger in the future, Godot's current executable size is so small something like this could actually work.

At the very least I would want something like Unity Hub which can manage both projects and engine/editor version installations. Being locked into whatever version of Godot Epic Store considers to be "current" sounds like a nightmare.

I think it's definitely more useful, especially long term, in a more controlled system where the government agency that is handling the actual CSAM is simply submitting hashes of the content the company (Microsoft, Apple, or whoever else) to add to their database with which they can use to flag/review suspicious content.

However, the system described in the article is open to the public, and simultaneously privacy/anonymity oriented. I see this as a double-edged sword. While it does protect the identity of legitimate users, that also opens it up to nefarious actors flooding the system with images/videos taken from legitimate content creators on OnlyFans other sites, potentially getting those creators' content flagged/removed. Even if this simply triggers a manual review, you could feasibly spam the system with so many that it grinds to a halt.

>To use Take It Down, anyone—minors, parents, concerned parties, or adults concerned about their own underage images being posted online—can anonymously access the platform on NCMEC’s site. Take It Down will then generate a hash that represents images or videos reported by users as sexualizing minors, including images with nudity, partial nudity, or sexualized poses. From there, any online platform that has partnered with the initiative will automatically block uploads or remove content matching that hash.

This sounds impressive if you don't know how file hashing works. If a malicious actor wants to get around this, all they would have to do is change a single pixel and/or re-export as a different format.

If I understand correctly, Samaritans have the same ethnic roots as Jews. The differences were more religious and ideological than racial. So with that in mind, saying the term "good Samaritan" is specifically racist doesn't really hold water. Xenophobic, maybe. The lines kind of blur when you're talking about groups that are divided by some odd combination of ethnicity, religion, and nationality.

Regardless, if you look at the actual context, the Parable of the Good Samaritan is arguably meant as a message against racism and preconceived notions about people from other ethnic groups or countries.

The thing that bugs me about "influencers" is that it seems in a lot of cases the content is formulated as a host for ads and monetization, rather than the creator focusing on creating worthwhile content first with advertising as a secondary concern (in a lot of cases non-endemically.)

Obviously, what is considered "worthwhile" is entirely subjective - people wouldn't be following, say, Kylie Jenner on social media if they didn't see some sort of value in it. Also I'm pretty sure a lot of people just don't care about being advertised to, or even enjoy it, if it's in a niche that they follow.

To me, it feels more insidious, especially when the line blurs between what is and ad and what is not. I hate being marketed to in such a way that it is so interleaved with the "actual" content - it starts making me question the validity of the content. By example, I used to browse Pinterest every now and again (mostly as a time waster) - it was interesting to search certain keywords and save things that looked interesting or sparked my curiosity. There were ads spaced every several tiles, but in general they seemed more or less separated from user-submitted content. Now, there are ads seemingly every third or fourth tile, and many "normal" tiles are ads as well, submitted by corporate accounts. I've pretty much stopped using it entirely.

I didn't know there was an industry for that, I guess I should have figured. I might look into that for my own purposes. Although for what it's worth when I said "large format paintings" in my mind I was thinking very large paintings - like Picassos's Guernica - larger than something the average person would have hanging in their home. To the point that the cost of producing it and transporting it is large enough that a buyer is more likely to take personal interest in the artist and much less likely to knowingly purchase something AI-generated or otherwise automatically produced.

I think we're kidding ourselves to think that some nebulous concept of "the artist's journey" somehow informs the end result in a way that is self-evident in human-produced digital art. Just as with electric signals in the "brain in a vat" thought experiment, with digital art it's pixels. If an algorithm can produce a set of pixels that is just as subjectively good as a human artist, then nobody will be able to tell - and most likely the average person just won't care.

On the other hand, I would say that traditional mediums (especially large format paintings) are relatively safe from AI generation/automation - for now.

>But to answer your question if we would have been stuck with 1992 technology the internet would have evolved differently, and mainframes would play a much bigger role, to the point that your desktop computer would be just a thin client, running the latest amazing software accelerated by mainframe computers. You would submit jobs from your computer, the mainframe would calculate it and get back to you.

We're kind of getting back to this in a roundabout way, with more and more programs and services being run as web applications in a browser, or otherwise being inseparably tied into cloud technology/storage (looking at you, Adobe.)

With the advent of AI tools that require significant GPU hardware to run there may actually be a legitimate basis for it, but in general it just seems an excuse for companies to have their own tightly-controlled ecosystem which can be continually monetized and exploited.

This is pretty spot-on.

At the risk of sounding like a hipster, or gatekeeper, I think the biggest tipping point was around the time that smartphones became commonplace in the mid-late 00s. The internet and web was already gaining momentum, but smartphones put it in everyone's pocket. It also turns out that most (read: non-tech) people don't want to have to piece together their own set of tools, they want a set of matching Fisher-Price tools handed to them on a platter - hence the popularity of the iPhone and iOS ecosystem which Apple controls with an iron grip. They would rather have a magic black box that does what they want without having to think about how it works or what is going on behind the scenes. I'd say everybody is guilty to some extent, but generally I feel it's this mentality that is largely responsible for the frog-letting-the-water-boil situation we have gotten into with things like data privacy/user tracking/etc. There was a time when "don't post personal information" and "don't believe everything you read on the internet" was a mantra, but now that the internet and web are mainstream, such advice has been ignored. Yet, people wonder why things have gotten the way they are and why bad actors are taking advantage of the situation.