Teknomadix

The site quotes prices for ≥4 layer board production are on the order of 10x JLCPCB. I can pay for DHL overnight from JLC and still come in from uploading my design to holding it in my hand ~7 business days or less.

A domestic PCB manufacturing pipeline, has been a pipe dream for me an many other Hardware startup EEs for a long time. Until costs are more competitive, CN still gets the business. Hope you can bring costs for small batch prototype PCB manufacturing down further in the future, then you will have our business!

The PBC mission is directly aligned. The "public" that they benefit are defined as their shareholders.

Ask an agent to rewrite it in Rust. #ftfy

No, that's Colorado.

Links??!!

I've been recharging the AC system on my vintage daily driver — a late 1960s Mercedes-Benz sedan — with common off the shelf campstove propane for 30 years. Keeps me cool regardless of outside Los Angeles heat. Requires a bit of care while doing a recharge, but it's nothing too crazy. My grandfather ran a dairy farm in Connecticut, he showed me this trick in the 80s. We used propane to keep all the cooling equipment in the milk houses running smooth back then. I'm curious about isobutane now.

This is essentially how my Estonian ID card works. The ID card is inserted into a USB smartcard reader and grants access to identity verification an thus access to services.

Data.

Um, no. Let's set the record straight. Creative bought Ensoniq in '98 for just shy of $78 million, so by early 2000 the "Ensoniq crap" shipping in OEM boxes was Creative's own product. The AudioPCI ES1370/ES1371 got rebadged as the Sound Blaster PCI64 and PCI128. Creative had already absorbed E-mu Systems in '93, and the EMU8000 on the AWE32/AWE64 was E-mu silicon. Both of these American sampler houses ended up under the Creative Labs roof, so framing Ensoniq as the cheap alternative to Creative in 2000 is totally backwards. Ensoniq was just the volume tier of Creative's own lineup. You're off on the timeline. AWE32 is '94, AWE64 is '96, both were ISA. By early 2000 those were legacy cards on a dying bus architecture, and the enthusiast ask was a SB Live! with the EMU10K1, or an Aureal Vortex 2 if you cared about A3D and had deep pockets. Specifying an AWE64 in 2000 would have gotten you an obsolete card. Also the term is Windows Sound System, the Microsoft AD1848/CS4231 codec standard, and AudioPCI is not a WSS part. It has its own PCI driver stack with legacy SB emulation bolted on, and it genuinely sucked, ran its wavetable in host CPU and system RAM off the ECW patch sets rather than dedicated hardware, and its DOS Sound Blaster emulation was mediocre compared to a cheap ISA card.

Ensoniq was an amazing engineering powerhouse before the demise. In late 1994 I got an Ensoniq Soundscape, at the time it was the most high-end wavetable card built around their OTTO chip (EPS-16+/ASR10), which I believe was a descendant of the Apple IIGS DOC, and it competed at the time with the Roland SCC-1 and the GUS.

Renoise Redux is already shipping a feature complete tracker you can easily run in Ableton or Bitwig.