NovaS1X
Joined 13 years ago
Joined 13 years ago
My point originally was that amateurs generally spend far too much time focusing on the best gear, when they should be focusing on their subject and skillset.
>Subject matter is more interesting than the technology for me.
This has always been the case though. Amateurs and people who suffer from GAS place far too much reliance on the tool. They want to purchase the ability to create good works and become defeated when they learn they can't and quit. This has been true ever since the introduction of mass market film cameras. Many pros back in the film days carried around point and shoots or fixed lens cameras for personal use and left their F3s and 80-200mms at home.
This is just a reality of the consumer society we live in; people are advertised to incessantly and are conditioned to expect purchasing things to make them better. Thankfully art is a cathartic form of protest to this in many ways; you can't buy and compute photographic skill.
I'm semi-pro and my main gear stays at home unless I'm working on a project, personal or professional, and I carry my iPhone and a Fuji X100 for daily/personal stuff.
Cameras are already downsizing, DSLRs are long dead and mirrorless are not just the future, they're now the present. I don't think size is the issue any longer.
The purpose of using a "real" camera is quality and control. If you go on IG and look as all the top photography centric accounts they're using either film or mirrorless cameras, not iPhones. The ability to manipulate RAW photos, the outright quality of better sensors and lenses, and the ease of use of "real" cameras still makes them the top choice.
When you then throw in professional use into the mix the choice becomes more obvious. Just the ergonomics alone make traditional cameras the obvious choice. I'm not going to be mounting expensive shotgun mics, matte boxes, and filters to an iPhone.
As far as computational photography goes, it's the future and all manufacturers will need to start using it to get an edge on the competition. The thing with computational photography however is that it's a data driven process, just like anything else AI; data in is data out, so the better quality of dedicated cameras simply means better data for computational methods, thus better results in the end. There's no real substitution for better lenses and sensors, because any computational method applied to a phone can also be applied to a camera.
I think there's something to be said for the lack of control with computational methods too. my iPhone for example applies a lot of processing that makes skin to me look plasticy, but it's baked into the ISP. My Fujifilm when shooting in RAW or F-Log for example doesn't have this issue. So any computational methods applied to traditional cameras need to not impede on creative control; noise reduction is an area where it would be pretty universally helpful.
Biggest issue by far. We have a fleet of 100+ MacBooks in my office and expanded batteries are probably the only thing we have that goes wrong with them. They're rock solid otherwise. The new replaceable batteries is a huge deal.
Previous two companies (650 users, 250 users), were also gull G-Suite.
A product that could even compete with half of what AD offers and could manage OSX devices would be pretty incredible.
I'm excited to try the new 1mm keyboard.
Also, Apple never does things half-assed, if they put a touchscreen in they're doing for all models just like they did the touchbar.
No, because transferring 1TB+ of data from your camera over the crappy built in wifi chip is a much worse user experience than just plugging in an SD card. Lots of cameras also require you to connect to the camera's hot-spot, which means while transferring that data you are not on wifi. If you're just sending a few jpegs over, fine, wifi is great, but for people to whom the "Pro" moniker actually matters, it's a big deal.
Dongles are fine for sure, but having a slot built in is better, and there's no real reason not to have one other than "aesthetics"