The other problem with this market as a business opportunity is that the audience is diminishing, aging and slow technology adopters.
Go to any classical music concert and you will see that under 30s are in the vast minority. Look at how many venues open each year playing modern popular music (ie pop, house, indie, etc) and how many open playing classical music. I'm an active classical music fan in London - one of the classical music capitals of the world - and I cannot name a single classical music venue that has opened within the past 3 years.
Your market is, quite literally, dying.
It's sad. It's a huge loss for us as young people. But the only way a classical music streaming service can survive is through association with one of the big (probably existing) platforms.
Go to any classical music concert and you will see that under 30s are in the vast minority. Look at how many venues open each year playing modern popular music (ie pop, house, indie, etc) and how many open playing classical music. I'm an active classical music fan in London - one of the classical music capitals of the world - and I cannot name a single classical music venue that has opened within the past 3 years.
Your market is, quite literally, dying.
It's sad. It's a huge loss for us as young people. But the only way a classical music streaming service can survive is through association with one of the big (probably existing) platforms.