I agree. The EH portrayed in this movie is much more sympathetic than the one portrayed in the Carreyrou book, and in Dropout. Fielder obviously knows all of this, and he is consistently interested in the "meta" levels of storytelling. So I don't think the point of the movie is as simple as "but wait, maybe she is actually innocent!".
One point seems to be mindfuckery -- EH making Nathan unsure of who she is, and when she is being honest; him doing the same to his audience; even Amanda seems to get in on it. For example: when Amanda and Nathan are in front of the fireplace talking about Nathan's visit to EH in prison: was that scripted? Or was it a genuine conversation? Or an improvised conversation (with an agreed set of points to be made)?
I agree. The EH portrayed in this movie is much more sympathetic than the one portrayed in the Carreyrou book, and in Dropout. Fielder obviously knows all of this, and he is consistently interested in the "meta" levels of storytelling. So I don't think the point of the movie is as simple as "but wait, maybe she is actually innocent!".
One point seems to be mindfuckery -- EH making Nathan unsure of who she is, and when she is being honest; him doing the same to his audience; even Amanda seems to get in on it. For example: when Amanda and Nathan are in front of the fireplace talking about Nathan's visit to EH in prison: was that scripted? Or was it a genuine conversation? Or an improvised conversation (with an agreed set of points to be made)?