This article falls into the same trap, I dunno what to call them, artsy-upper-class-society-and-film reviewers often do; writing vague yet meaningful-sounding things about the obvious subtext of a movie as if it was a revelation, yet without any specific observations about it.
Yes, this is a documentary about a person. And how the documentary is presented will color your perspective of the person. This should (hopefully) be apparent to anyone who's watched a documentary about a person before.
But how does it do it? What tools does it use to that effect? I appreciate that this film remains relatively neutral/ambiguous, but what makes this unique from other documentaries that deal with ambiguous subject matter?
Yes, this is a documentary about a person. And how the documentary is presented will color your perspective of the person. This should (hopefully) be apparent to anyone who's watched a documentary about a person before.
But how does it do it? What tools does it use to that effect? I appreciate that this film remains relatively neutral/ambiguous, but what makes this unique from other documentaries that deal with ambiguous subject matter?