It's interesting how genre coding have become much more enforced these years. Back in the early 2010s we would call most of these just "sci-fi", because the influence and aesthetics of cyberpunk has already bled into the wider genre that you'd be more hard pressed to find a story without some influence on it.
But despite the author's veneration of 90s and 2000s, I'd argue the works from the late 2000s and early 2010s are just as sophisticated and arguably more relevant to our modern world; Project Itoh (Genocidal Organ, Harmony), Gatchaman Crowds, Beatless, alot of their themes were prescient; Because the frontier isn't hardware, it's ontology and semantics.
But despite the author's veneration of 90s and 2000s, I'd argue the works from the late 2000s and early 2010s are just as sophisticated and arguably more relevant to our modern world; Project Itoh (Genocidal Organ, Harmony), Gatchaman Crowds, Beatless, alot of their themes were prescient; Because the frontier isn't hardware, it's ontology and semantics.