This proposed economic model creates a dystopian situation: whoever has the most capital has the right of first refusal to consume art.
Current primary and secondary ticketing markets are not ideal, but this proposition disenfranchises whole market segments from consuming art as experience based on economic factors. That's bad for art, it's bad for artists, and it's bad for consumers.
Current primary and secondary ticketing markets are not ideal, but this proposition disenfranchises whole market segments from consuming art as experience based on economic factors. That's bad for art, it's bad for artists, and it's bad for consumers.