This is largely where I'm ending up, but I started at the other end.
There is value in prose that carries your literal voice when the audience is _people who know you_. There is negative value in writing prose that requires the audience to _read it in your voice_ in order for it to make sense, avoid offense, or convey intent.
My prose changed first: it became plain spoken, as devoid of contextual subtlety as I could make it. My career benefitted. My spoken interactions followed.
The only thing that bothers me about it is the nagging sense that I've become so fucking boring.
There is value in prose that carries your literal voice when the audience is _people who know you_. There is negative value in writing prose that requires the audience to _read it in your voice_ in order for it to make sense, avoid offense, or convey intent.
My prose changed first: it became plain spoken, as devoid of contextual subtlety as I could make it. My career benefitted. My spoken interactions followed.
The only thing that bothers me about it is the nagging sense that I've become so fucking boring.