One of the most common criticisms is the use of the emdash. This is a classic bit of English prose that is not problematic except as a stereotype used to dismiss writing for form rather than for content.
Let's grab a few books off the shelf (literally).
Douglas Adams' The Hitchhiker's Guide to the Galaxy has four emdashes on the very first page:
> It is also the story of a book, a book called THGTTG - not an Earth book, never...
Isaac Asimov's classic The Last Question: three emdashes on the first page (as printed in The Complete Stories, Volume I)
> ...they knew what lay behind the cold, clicking, flashing face -- miles and miles of face -- of that giant computer.
Mark Z. Danielewski, House of Leaves: Three emdashes on page 1
> Much like its subject, The Navidson Record itself is also uneasily contained -- whether by category or lection.
Robert Caro, Master of the Senate: Five emdashes on page one
> Its drab tan damask walls...were unrelieved by even a single touch of color -- no painting, no mural -- or, seemingly, by any other ornament
Other pages 1s:
* Murakami - 1Q84: 1
* Murray/Cox - Apollo: 1
* Meadows - Thinking in Systems: 1
* Dostoyevsky - The Brothers Karamazov (Pevear/Volokhonsky translation): 4
* Caro - The Power Broker: 5
* Hofstadter - Godel, Escher, Bach - 3
Honestly, when I started this post I expected to have to dig deeper than page 1. The emdash is an important part of English-language literature and I reject the claim that we should ignore all writing that contains it.
Let's grab a few books off the shelf (literally).
Douglas Adams' The Hitchhiker's Guide to the Galaxy has four emdashes on the very first page:
> It is also the story of a book, a book called THGTTG - not an Earth book, never...
Isaac Asimov's classic The Last Question: three emdashes on the first page (as printed in The Complete Stories, Volume I)
> ...they knew what lay behind the cold, clicking, flashing face -- miles and miles of face -- of that giant computer.
Mark Z. Danielewski, House of Leaves: Three emdashes on page 1
> Much like its subject, The Navidson Record itself is also uneasily contained -- whether by category or lection.
Robert Caro, Master of the Senate: Five emdashes on page one
> Its drab tan damask walls...were unrelieved by even a single touch of color -- no painting, no mural -- or, seemingly, by any other ornament
Other pages 1s:
* Murakami - 1Q84: 1
* Murray/Cox - Apollo: 1
* Meadows - Thinking in Systems: 1
* Dostoyevsky - The Brothers Karamazov (Pevear/Volokhonsky translation): 4
* Caro - The Power Broker: 5
* Hofstadter - Godel, Escher, Bach - 3
Honestly, when I started this post I expected to have to dig deeper than page 1. The emdash is an important part of English-language literature and I reject the claim that we should ignore all writing that contains it.