My first step is to 'listen' to the raw channels and features to quickly find which mapping produces the most musically coherent (i.e., clean and physically predictable) output.
If it sounds like white noise, the mapping is bad or the signal is artifact.
If it sounds like a sine wave moving predictably, the physics are sound.
My first step is to 'listen' to the raw channels and features to quickly find which mapping produces the most musically coherent (i.e., clean and physically predictable) output.
If it sounds like white noise, the mapping is bad or the signal is artifact.
If it sounds like a sine wave moving predictably, the physics are sound.