George Antheil’s autobiography, Bad Boy of Music, is quite entertaining. In it he recounts his adventures related to this patent. If I recall correctly (I read it decades ago but I think I’m right here), he describes a close and co-equal collaboration with his friend Hedy Lamarr on this invention. Therefore I think these remarks by the author:
‘Since the actual invention is a player-piano-like mechanism, and since experimental musician George Antheil had expertise in the inner workings of player pianos, and further since Hedy Lamarr evidently had no such expertise, it may be more appropriate to call the Lamarr-Antheil patent “Antheil’s patent.”’
‘Since the actual invention is a player-piano-like mechanism, and since experimental musician George Antheil had expertise in the inner workings of player pianos, and further since Hedy Lamarr evidently had no such expertise, it may be more appropriate to call the Lamarr-Antheil patent “Antheil’s patent.”’
are inappropriate and unjustified.