I used to be really (really really) into photography. I respect anyone working hard on a physical product, but this misses the mark on every front I can think of.
The real issue that photographers grapple with, emotionally and financially, is that pictures have become so thoroughly commodified that nobody assigns them cultural value anymore. They are the thumbnail you see before the short video clip starts playing.
Nobody has ever walked past a photograph because they can't inspect its digital authenticity hash. This is especially funny to me because I used to struggle with the fact that people looking at your work don't know or care what kind of camera or process was involved. They don't know if I spent two hours zoomed in removing microscopic dust particles from the scanning process after a long hike to get a single shot at 5:30am, or if it was just the 32nd of 122 shots taken in a burst by someone holding up an iPad Pro Max at a U2 concert.
This all made me sad for a long time, but I ultimately came to terms with the fact that my own incentives were perverse; I was seeking the external gratification of getting likes just like everyone else. If you can get back to a place where you're taking photographs or making music or doing 5 minute daily synth drills for your own happiness with no expectation of external validity, you will be far happier taking that $399 and buying a Mamiya C330.
This video is about music, but it's also about everything worth doing for the right reasons. https://www.youtube.com/watch?v=NvQF4YIvxwE
The real issue that photographers grapple with, emotionally and financially, is that pictures have become so thoroughly commodified that nobody assigns them cultural value anymore. They are the thumbnail you see before the short video clip starts playing.
Nobody has ever walked past a photograph because they can't inspect its digital authenticity hash. This is especially funny to me because I used to struggle with the fact that people looking at your work don't know or care what kind of camera or process was involved. They don't know if I spent two hours zoomed in removing microscopic dust particles from the scanning process after a long hike to get a single shot at 5:30am, or if it was just the 32nd of 122 shots taken in a burst by someone holding up an iPad Pro Max at a U2 concert.
This all made me sad for a long time, but I ultimately came to terms with the fact that my own incentives were perverse; I was seeking the external gratification of getting likes just like everyone else. If you can get back to a place where you're taking photographs or making music or doing 5 minute daily synth drills for your own happiness with no expectation of external validity, you will be far happier taking that $399 and buying a Mamiya C330.
This video is about music, but it's also about everything worth doing for the right reasons. https://www.youtube.com/watch?v=NvQF4YIvxwE