It makes me curious about how human subtitlers or even scriptwriters choose to transcribe intentionally ambiguous speech, puns and narratively important mishearings. It's like you need to subtitle what is heard not what is said.
Do those born profoundly deaf specifically study word sounds in order to understand/create puns, rhymes and such so they don't need assistance understanding narrative mishearings?
It must feel like a form of abstract mathematics without the experiential component... but then I suspect mathematicians manufacture an experiential phenomena with their abstractions with their claims of a beauty like music... hmm!
Do those born profoundly deaf specifically study word sounds in order to understand/create puns, rhymes and such so they don't need assistance understanding narrative mishearings?
It must feel like a form of abstract mathematics without the experiential component... but then I suspect mathematicians manufacture an experiential phenomena with their abstractions with their claims of a beauty like music... hmm!