People who only ever work with 'consumer' video equipment need extra training and a back-to-basics set of reading material to understand things like the difference between a 420 and 422 color space, or why serious cinema cameras record video ungraded, or what the color grading process in a post-production workflow looks like (and the different aesthetic choices of grading that might be possible). That's before even getting into things like raw yuv/y4m uncompressed video, or very-high-bitrate barely compressed video, generating proxy footage to work with in an editor because the raw is too much of a firehose of data to handle even on a serious workstation....
I would say that unless you have a professional reason, there's very little benefit to the average end-user to do a deep dive into it. If your intention is to spend $7000 on a RED camera and then $13,000 on lenses, gimbal, cage, follow focus, matte box, memory cards etc to make a small and cost effective single camera production package, then by all means, dig into it.
I would say that unless you have a professional reason, there's very little benefit to the average end-user to do a deep dive into it. If your intention is to spend $7000 on a RED camera and then $13,000 on lenses, gimbal, cage, follow focus, matte box, memory cards etc to make a small and cost effective single camera production package, then by all means, dig into it.