I am not sure that "Dante is clearly writing in the expectation that his audience will know these references" as claimed in the article. He put a lot of learning into the work, and maybe he had in mind an ideal reader who could follow the most obscure of references, and appreciate all the allegorical meanings, but it's noticeable that the narrator of the poem is always asking naïve questions and getting rebuked for his ignorance by Virgil and Beatrice. Readers who don't understand everything in the poem can thus feel that they are in a similar position to the narrator.
And as soon as the poem was published, people started writing explanations for the difficult bits. Dante's son Jacopo wrote a commentary in 1322, Graziolo Bambaglioli wrote another in 1324, and by the end of the 14th century there were at least fifteen. This shows that the poem quickly found an audience that was not familiar with all the references.
And as soon as the poem was published, people started writing explanations for the difficult bits. Dante's son Jacopo wrote a commentary in 1322, Graziolo Bambaglioli wrote another in 1324, and by the end of the 14th century there were at least fifteen. This shows that the poem quickly found an audience that was not familiar with all the references.