Slightly adjusting intonation is no problem at all for trained wind players, "played with no pitch adjustments via embouchure" is just not something that happens. Much less difficult to learn than learning to play the violin at all, if Quartesixte's description is anything to go by. Not being able to play all 12 notes with natural tones does not in any way result in a lack of versatility for wind instruments in a modern orchestra setting.
PS woodwinds aren't "always in equal temperament" either, the player has to adjust for tuning compromises in these instruments as well. Not that being in equal temperament is even something an orchestra aims for.
PS woodwinds aren't "always in equal temperament" either, the player has to adjust for tuning compromises in these instruments as well. Not that being in equal temperament is even something an orchestra aims for.