When Diego first showed me this animation, I wasn't completely sure what I was looking at, because I assumed the left and right sides were like composited together or something. But it's a unified screen recording; the right, generated side is keeping pace with the riffing the artist does in the little paint program on the left.
There is no substitute for low latency in creative tools; if you have to sit there holding your breath every time you try something, you aren't just linearly slowed down. There are points that are just too hard to reach in slow, deliberate, 30+ second steps that a classical diffusion generation requires.
When I first heard about consistency, my assumption was that it was just an accelerator. I expected we'd get faster, cheaper versions of the same kinds of interactions with visual models we're used to seeing. The fine hackers at Krea did not take long to prove me wrong!
When Diego first showed me this animation, I wasn't completely sure what I was looking at, because I assumed the left and right sides were like composited together or something. But it's a unified screen recording; the right, generated side is keeping pace with the riffing the artist does in the little paint program on the left.
There is no substitute for low latency in creative tools; if you have to sit there holding your breath every time you try something, you aren't just linearly slowed down. There are points that are just too hard to reach in slow, deliberate, 30+ second steps that a classical diffusion generation requires.
When I first heard about consistency, my assumption was that it was just an accelerator. I expected we'd get faster, cheaper versions of the same kinds of interactions with visual models we're used to seeing. The fine hackers at Krea did not take long to prove me wrong!