I think what you are asking for is for an abstraction layer that is on top of what the current systems do. LaTeX is a very good analogy, as it is a set of macros that hide away the numericity of the underlying TeX typesetting system. Once upon a time people did use TeX to write papers because LaTeX did not exist yet.
Such a higher level macro system must make tradeoffs between sufficient control and conciseness (though its typically possible to insert low level code in between the macros since before any macro can be executed, rendered etc. it must be converted to the lower level anyway).
Developing such a system is probably a task for tech-savvy musician rather than a music-savvy techie. Its value proposition would be precisely to crystallize composition "invariants" that are expressive and versatile enough to enable people to compose genuinely new things.
But you should keep in mind that all LaTeX papers look a bit alike :-) (though much better than Word papers).
Such a higher level macro system must make tradeoffs between sufficient control and conciseness (though its typically possible to insert low level code in between the macros since before any macro can be executed, rendered etc. it must be converted to the lower level anyway).
Developing such a system is probably a task for tech-savvy musician rather than a music-savvy techie. Its value proposition would be precisely to crystallize composition "invariants" that are expressive and versatile enough to enable people to compose genuinely new things.
But you should keep in mind that all LaTeX papers look a bit alike :-) (though much better than Word papers).