In the “Release Radar” generated for me last week, there was a 40 second song consisting of rhythmic mechanical noises with a strange title and album art of an alien head. I didn’t like it at all. I think it was recommended to me because the publisher listed its artist as “Fanny Mendelssohn” — a classical composer whose work I definitely enjoy and have probably pressed “Like” a few times on — even though the song had nothing to do with her.
You’d think, she shouldn’t be releasing any new works, you know, on account of being long-deceased and all. Therefore Spotify could block releases claiming her as an artist. Unfortunately, there are new renditions of her work being performed, recorded and published regularly, by many different groups. All of them have the right (perhaps even an ethical duty) to put Fanny Mendelssohn as one of the artists. These are works I’d like to hear, so Spotify’s recommendation algorithms are on the right track.
How on earth can Spotify distinguish real Fanny from fake Fanny?
You’d think, she shouldn’t be releasing any new works, you know, on account of being long-deceased and all. Therefore Spotify could block releases claiming her as an artist. Unfortunately, there are new renditions of her work being performed, recorded and published regularly, by many different groups. All of them have the right (perhaps even an ethical duty) to put Fanny Mendelssohn as one of the artists. These are works I’d like to hear, so Spotify’s recommendation algorithms are on the right track.
How on earth can Spotify distinguish real Fanny from fake Fanny?