One of the definitive examples has to be Radiohead's How to Disappear Completely [1]. 2 or 3 great frisson moments in there. The big one is toward the end, when the strings decay and smudge into atonal textures (very very heavily influenced by the 20th-century composer Penderecki) and then suddenly come back into focus as the song climaxes.
It's just so incredibly well-done that I feel like even people who only listen to classical and jazz, or whatever, would have to acknowledge they really landed something there.
It's just so incredibly well-done that I feel like even people who only listen to classical and jazz, or whatever, would have to acknowledge they really landed something there.
[1] https://www.youtube.com/watch?v=6W6HhdqA95w (4:25 would be a good place to start, but it's not nearly as good if you don't listen to the whole thing)