> He most certainly did not. Of all the different takes out there, his is very weak.
I think Adam Neely did a good job explaining what infringement lawsuits mean in the context of popular music production. Whether or not you agree with the strength of his case on this particular lawsuit, well that's not quite the point I was trying to make here. Still, what do you consider to be a strong take on this case?
I think Adam Neely did a good job explaining what infringement lawsuits mean in the context of popular music production. Whether or not you agree with the strength of his case on this particular lawsuit, well that's not quite the point I was trying to make here. Still, what do you consider to be a strong take on this case?