> - Violins come last, and it doesn't really matter because they're lazy and they'll take a few hundred milliseconds to really kick in anyway.
I think the assumption that violins don't need strong staccato/marcato attacks is wrong. I've needed it in the past, and was unable to get it from soundfonts which only have slow-attack samples. This issue is omnipresent in off-the-shelf soundfonts, and I've also sometimes seen poor articulation in music I've heard made using commercial sound libraries (which I've never purchased or pirated so I can't judge myself).
As an example of a piece suffering from slow attacks, https://www.youtube.com/watch?v=ua5VJt6jkaU is a nice remix, but feels sloppy because the flute, strings, and violin's 32nd notes are barely audible (goes from attack to release without reaching full volume) and smeared together.
> - Violins come last, and it doesn't really matter because they're lazy and they'll take a few hundred milliseconds to really kick in anyway.
I think the assumption that violins don't need strong staccato/marcato attacks is wrong. I've needed it in the past, and was unable to get it from soundfonts which only have slow-attack samples. This issue is omnipresent in off-the-shelf soundfonts, and I've also sometimes seen poor articulation in music I've heard made using commercial sound libraries (which I've never purchased or pirated so I can't judge myself).
As an example of a piece suffering from slow attacks, https://www.youtube.com/watch?v=ua5VJt6jkaU is a nice remix, but feels sloppy because the flute, strings, and violin's 32nd notes are barely audible (goes from attack to release without reaching full volume) and smeared together.