The problem isn't the mic though, it's that in the earlier days of radio there was a trend towards boosting the bass artificially in the microphones to make the host sound more authoritative. Howard Stern is BIG time guilty of this. NPR doesn't do this, and cuts the bass picked up by the full-range mics using a channel EQ (or mic built-in) to eliminate plosives rather than employ lots of pop screens and boosting the bass. Using a full-range mic for vocals means ultra low-end is preserved, and that's not always desired for replicating the human voice accurately. This is also how most vocals in music are treated, there's no reason for all that low-end mud, so they're high-pass filtered heavily as a matter of course before the rest of the vocal effects chain is applied. Pop vocals in particular are way thinner than people realize.
As far as mics go, if you don't want to pay thousands for a Neumann, the Austrian Audio OC18 is a fantastic mic with a similarly flat response and has a 3-way switch for different levels of high-pass filtering before the signal even leaves the mic. It's fast becoming my favorite mic to use in the studio.
As far as mics go, if you don't want to pay thousands for a Neumann, the Austrian Audio OC18 is a fantastic mic with a similarly flat response and has a 3-way switch for different levels of high-pass filtering before the signal even leaves the mic. It's fast becoming my favorite mic to use in the studio.